1 00:03:04,000 --> 00:03:09,000 SHHH! 2 00:04:33,000 --> 00:04:35,000 OK, FELLOWS, LISTEN UP. 3 00:04:35,000 --> 00:04:39,000 LET'S LISTEN UP! 4 00:04:39,000 --> 00:04:43,000 I DON'T UNDERSTAND YOUR ATTITUDE. 5 00:04:43,000 --> 00:04:45,000 I REALLY DON'T. 6 00:04:45,000 --> 00:04:49,000 OK, THINGS HAVEN'T EXACTLY BEEN EASY FOR US RECENTLY. 7 00:04:49,000 --> 00:04:51,000 HEY, I KNOW THAT, 8 00:04:51,000 --> 00:04:55,000 BUT LET'S REMEMBER ONE THING-- WEE A TEAM. 9 00:04:55,000 --> 00:04:57,000 I LOVE YOU GUYS. 10 00:04:57,000 --> 00:05:00,000 LET'S ALL WORK TOGETHER. 11 00:05:00,000 --> 00:05:02,000 TONIGHT'S MATCH COULD BE O BREAKTHROUGH. 12 00:05:02,000 --> 00:05:04,000 WHAT DO YOU SAY? 13 00:05:04,000 --> 00:05:07,000 GO FUCK YOURSELF. 14 00:05:07,000 --> 00:05:09,000 WHAT'S HAPPENED TO YOU? 15 00:05:09,000 --> 00:05:11,000 WHERE'S YOUR SENSE OF HUMOR? 16 00:05:11,000 --> 00:05:14,000 WE LOST IT THREE WEEKS AGO, 17 00:05:14,000 --> 00:05:17,000 THE LAST TIME WE GOT PAID. 18 00:05:17,000 --> 00:05:20,000 ■■ OUR LAST PROMOTER WAS MUGGED. 19 00:05:20,000 --> 00:05:22,000 HE WASN'T MUGGED, MAN. 20 00:05:22,000 --> 00:05:24,000 HE CONNED YOU. 21 00:05:24,000 --> 00:05:27,000 JACK McGIVER WILL BE HERE TONIGHT 22 00:05:27,000 --> 00:05:29,000 WITH THE MONEY. 23 00:05:29,000 --> 00:05:30,000 HE'D BETTER BE. 24 00:05:30,000 --> 00:05:33,000 LET'S HAVE A GOOD WORKOUT. 25 00:05:33,000 --> 00:05:36,000 YOU WOULDN'T KNOW A GOOD WORKOUT 26 00:05:36,000 --> 00:05:39,000 IF IT BIT YOU ONOUR ASS. 27 00:05:39,000 --> 00:05:41,000 WE NEED A REAL COACH! 28 00:05:41,000 --> 00:05:44,000 THAT'S WHAT I WANT TO SEE. 29 00:05:44,000 --> 00:05:46,000 GET OUT THERE! 30 00:05:46,000 --> 00:05:48,000 WHAT DO YOU SAY? 31 00:05:48,000 --> 00:05:50,000 LESS SMOKING, MORE SKATING, DIESEL. 32 00:05:50,000 --> 00:05:52,000 VERY ATTRACTIVE HABIT. 33 00:05:52,000 --> 00:05:54,000 COME ON, THAT'S RIGHT. 34 00:05:54,000 --> 00:05:56,000 COME ON, PEE WEE. 35 00:05:56,000 --> 00:06:01,000 GOOD HUSTLING. 36 00:06:05,000 --> 00:06:07,000 THIS YOUR TEAM? 37 00:06:07,000 --> 00:06:09,000 YEAH. PRETTY GOOD, HUH? 38 00:06:09,000 --> 00:06:12,000 WHERE ARE THEY PLAYING? 39 00:06:12,000 --> 00:06:14,000 THEY'RE PLAYING RIGHT HERE. 40 00:06:14,000 --> 00:06:16,000 NO. 41 00:06:16,000 --> 00:06:17,000 NO. 42 00:06:17,000 --> 00:06:20,000 NOT TONIGHT OR ANY OTHER NIGHT. 43 00:06:20,000 --> 00:06:21,000 WE'RE CLOSED. 44 00:06:21,000 --> 00:06:24,000 THIS PLACE GETS DEMOLISHED TOMORROW. 45 00:06:24,000 --> 00:06:26,000 I'M KICKING YOU OUT. 46 00:06:26,000 --> 00:06:28,000 JACK McGIVER SAID-- 47 00:06:28,000 --> 00:06:30,000 McGIVER? THAT CROOK? 48 00:06:30,000 --> 00:06:32,000 YOU BEEN HAD, BUDDY. 49 00:06:32,000 --> 00:06:36,000 NOW, GO ON. BEAT IT. 50 00:06:36,000 --> 00:06:38,000 GOOD WORK, PEE WEE! 51 00:06:38,000 --> 00:06:41,000 THAT'S WHAT I WANT TO SEE. 52 00:06:41,000 --> 00:06:42,000 GOOD ATTITUDE. 53 00:06:42,000 --> 00:06:45,000 OK! 54 00:06:45,000 --> 00:06:48,000 ALL RIGHT, GIRLS. KEEP IT UP. 55 00:06:48,000 --> 00:06:50,000 THAT'S THE WAY. 56 00:06:50,000 --> 00:06:52,000 THAT'S IT! STOP! 57 00:06:52,000 --> 00:06:54,000 GET OUT OF HERE! 58 00:06:54,000 --> 00:06:56,000 VACATE THE PREMISES. 59 00:06:56,000 --> 00:07:01,000 IT'S TIME TO LEAVE. 60 00:07:03,000 --> 00:07:07,000 OUT OF MY WAY! WHERE IS HE? 61 00:07:07,000 --> 00:07:12,000 RANGELOFF, WE'RE GOING TO KILL YOU! 62 00:07:12,000 --> 00:07:17,000 SON OF A BITCH! 63 00:07:18,000 --> 00:07:20,000 [HORNS HONK] 64 00:07:20,000 --> 00:07:25,000 COME ON! 65 00:07:36,000 --> 00:07:38,000 GOOD MORNING, MR. LATIMER. 66 00:07:38,000 --> 00:07:40,000 YOU'RE LATE. 67 00:07:40,000 --> 00:07:41,000 ENGINE TROUBLE. 68 00:07:41,000 --> 00:07:44,000 SORRY TO HEAR YOUR DAUGHTER'S MISSING. 69 00:07:44,000 --> 00:07:46,000 MISSING, HELL. KIDNAPED. 70 00:07:46,000 --> 00:07:49,000 WOULD YOU GIVE ME SOME DETAILS? 71 00:07:49,000 --> 00:07:52,000 CAN'T. GOT A BOARD MEETING. 72 00:07:52,000 --> 00:07:57,000 GET IT FROM THE FBI. 73 00:08:00,000 --> 00:08:05,000 HE DOESN'T KNOW HOW MUCH MONEY WAS IN THAT SAFE? 74 00:08:05,000 --> 00:08:08,000 NO ONE GETS THIS RICH 75 00:08:08,000 --> 00:08:10,000 WITHOUT KNOWING WHERE EVERY NICKEL IS. 76 00:08:10,000 --> 00:08:14,000 POLICE CHIEF NORRIS, DEPUTY DUNAWAY. 77 00:08:14,000 --> 00:08:15,000 ORMOND, FBI. 78 00:08:15,000 --> 00:08:17,000 WHAT DO YOU KNOW, CHIEF? 79 00:08:17,000 --> 00:08:19,000 NOTHING MUCH. YOU? 80 00:08:19,000 --> 00:08:21,000 I MEAN ABOUT THE CASE. 81 00:08:21,000 --> 00:08:23,000 HUH? 82 00:08:23,000 --> 00:08:25,000 I'LL FILL YOU IN. 83 00:08:25,000 --> 00:08:28,000 SOME TIME BETWEEN 11:00 LAST NIGHT 84 00:08:28,000 --> 00:08:30,000 AND 7:00 THIS MORNING, 85 00:08:30,000 --> 00:08:32,000 RANDALL LATIMER'S ONLY CHILD, 86 00:08:32,000 --> 00:08:34,000 28-YEAR-OLD GEORGIANA LATIMER, 87 00:08:34,000 --> 00:08:36,000 DISAPPEARED FROM THIS HOUSE 88 00:08:36,000 --> 00:08:39,000 WITH AN UNSPECIFIED AMOUNT OF MONEY, 89 00:08:39,000 --> 00:08:41,000 PRESUMABLY A LARGE AMOUNT, 90 00:08:41,000 --> 00:08:46,000 JUDGING BY THE SIZE OF THAT SAFE. 91 00:08:47,000 --> 00:08:49,000 HE TURNED THE CORNER! 92 00:08:49,000 --> 00:08:52,000 ♪ ROUND, ROUND, GET AROUND, I GET AROUND ♪ 93 00:08:52,000 --> 00:08:54,000 ♪ YEAH, GET AROUND, ROUND, ROUND ♪ 94 00:08:54,000 --> 00:08:55,000 ♪ I GET AROUND ♪ 95 00:08:55,000 --> 00:08:56,000 ♪ I GET AROUND ♪ 96 00:08:56,000 --> 00:08:58,000 ♪ GET AROUND, ROUND, ROUND, I GET AROUND ♪ 97 00:08:58,000 --> 00:08:59,000 ♪ ALL OVER TOWN ♪ 98 00:08:59,000 --> 00:09:01,000 ♪ GET AROUND, ROUND, ROUND, I GET AROUND ♪ 99 00:09:01,000 --> 00:09:03,000 ♪ I'M A REAL COOL HEAD ♪ 100 00:09:03,000 --> 00:09:05,000 ♪ GET AROUND, ROUND, ROUND, I GET AROUND ♪ 101 00:09:05,000 --> 00:09:06,000 ♪ I'M MAKIN' REAL GOOD BREAD ♪ 102 00:09:06,000 --> 00:09:08,000 ♪ GET AROUND, ROUND, ROUND, I GET AROUND ♪ 103 00:09:08,000 --> 00:09:10,000 ♪ I'M GETTIN' BUGGED ♪ 104 00:09:10,000 --> 00:09:12,000 ♪ DRIVIN' UP AND DOWN THE SAME OLD STRIP ♪ 105 00:09:12,000 --> 00:09:14,000 ♪ I GOTTA FIND A NEW PLACE ♪ 106 00:09:14,000 --> 00:09:19,000 ♪ WHERE THE GIRLS ARE HIP ♪ 107 00:09:19,000 --> 00:09:20,000 ♪ MY BUDDIES AND ME ♪ 108 00:09:20,000 --> 00:09:22,000 ♪ ARE GETTIN' REAL WELL KNOWN ♪ 109 00:09:22,000 --> 00:09:24,000 ♪ YEAH, THE BAD GUYS KNOW US ♪ 110 00:09:24,000 --> 00:09:25,000 ♪ AND THEY LEAVE US ALONE ♪ 111 00:09:25,000 --> 00:09:26,000 ♪ I GET AROUND ♪ 112 00:09:26,000 --> 00:09:28,000 ♪ GET AROUND, ROUND, ROUND, I GET AROUND ♪ 113 00:09:28,000 --> 00:09:29,000 ♪ ALL OVER TOWN ♪ 114 00:09:29,000 --> 00:09:31,000 ♪ GET AROUND, ROUND, ROUND, I GET AROUND ♪ 115 00:09:31,000 --> 00:09:32,000 ♪ I'M A REAL COOL HEAD ♪ 116 00:09:32,000 --> 00:09:34,000 ♪ GET AROUND, ROUND, ROUND, I GET AROUND ♪ 117 00:09:34,000 --> 00:09:36,000 ♪ I'M MAKIN' REAL GOOD BREAD ♪ 118 00:09:36,000 --> 00:09:38,000 ♪ GET AROUND, ROUND, ROUND, I GET AROUND ♪ 119 00:09:38,000 --> 00:09:39,000 ♪ I GET AROUND ♪ 120 00:09:39,000 --> 00:09:40,000 ♪ ROUND ♪ 121 00:09:40,000 --> 00:09:44,000 ♪ GET AROUND, ROUND, ROUND, ROUND ♪♪ 122 00:09:44,000 --> 00:09:49,000 WHICH WAY? 123 00:09:50,000 --> 00:09:55,000 HELLO. 124 00:09:55,000 --> 00:09:57,000 I'M THE DISTRICT SALES REPRESENTATIVE 125 00:09:57,000 --> 00:09:59,000 FOR GLIDE-AWAY SKATES. 126 00:09:59,000 --> 00:10:01,000 WE'RE TRYING TO DRAMATIZE-- 127 00:10:01,000 --> 00:10:03,000 ■■ OH, MY GOD. 128 00:10:03,000 --> 00:10:05,000 YOU HAVE A GUN! 129 00:10:05,000 --> 00:10:06,000 DON'T SHOOT. 130 00:10:06,000 --> 00:10:08,000 OK, THE TRUTH. 131 00:10:08,000 --> 00:10:12,000 FIVE WOMEN ON ROLLER SKATES ARE AFTER ME. 132 00:10:12,000 --> 00:10:14,000 FIVE WOMEN AFTER YOU? 133 00:10:14,000 --> 00:10:16,000 I SWEAR TO GOD. 134 00:10:16,000 --> 00:10:19,000 IT'S TOO CRAZY TO BE A LIE. 135 00:10:19,000 --> 00:10:21,000 FIVE? 136 00:10:21,000 --> 00:10:23,000 YOU MUST BE GOOD. 137 00:10:23,000 --> 00:10:25,000 RANGELOFF, YOU CREEP! 138 00:10:25,000 --> 00:10:29,000 COULD WE CONTINUE THIS CONVERSATION INSIDE? 139 00:10:29,000 --> 00:10:31,000 WHERE ARE YOU? 140 00:10:31,000 --> 00:10:33,000 YOU READ MY MIND. 141 00:10:33,000 --> 00:10:38,000 RANGELOFF, WE'LL GET YOU! 142 00:10:39,000 --> 00:10:42,000 MR. LATIMER SAYS SHE WAS KIDNAPED. 143 00:10:42,000 --> 00:10:44,000 WHOEVER HEARD OF KIDNAPERS 144 00:10:44,000 --> 00:10:46,000 TAKING THE RANSOM FIRST? 145 00:10:46,000 --> 00:10:48,000 THAT'S WHAT BOTHERS ME. 146 00:10:48,000 --> 00:10:50,000 DUNAWAY, ARE YOU LISTENING? 147 00:10:50,000 --> 00:10:55,000 TAKE SOME NOTES! 148 00:11:01,000 --> 00:11:03,000 I LIVE CLOSE BY. 149 00:11:03,000 --> 00:11:07,000 DO YOU MIND IF I GO HOME NOW? 150 00:11:07,000 --> 00:11:10,000 TAKE YOUR TIME. WE'LL BE HERE. 151 00:11:10,000 --> 00:11:14,000 GOOD DEAL. 152 00:11:14,000 --> 00:11:19,000 COME ON! 153 00:11:31,000 --> 00:11:35,000 ■ I DON'T BELIEVE THIS. 154 00:11:35,000 --> 00:11:36,000 ■■ OH. 155 00:11:36,000 --> 00:11:39,000 OHH! 156 00:11:39,000 --> 00:11:44,000 DIDN'T KNOW I COULD HOLD MY BREATH THAT LONG, 157 00:11:44,000 --> 00:11:45,000 DID YOU? 158 00:11:45,000 --> 00:11:46,000 NO. 159 00:11:46,000 --> 00:11:49,000 I CAN HOLD IT LONGER. 160 00:11:49,000 --> 00:11:53,000 IF YOU DON'T BELIEVE ME, ASK MY HUSBAND. 161 00:11:53,000 --> 00:11:56,000 YOUR HUSBAND? WHAT'S HE DO? 162 00:11:56,000 --> 00:11:58,000 HE'S CHIEF OF POLICE. 163 00:11:58,000 --> 00:12:02,000 OH! 164 00:12:02,000 --> 00:12:03,000 DON'T WORRY. 165 00:12:03,000 --> 00:12:08,000 HE NEVER COMES HOME TILL DARK. 166 00:12:29,000 --> 00:12:30,000 ESTELLE! 167 00:12:30,000 --> 00:12:32,000 OH, DEAR. 168 00:12:32,000 --> 00:12:33,000 IT'S HIM. 169 00:12:33,000 --> 00:12:34,000 HIM? 170 00:12:34,000 --> 00:12:36,000 M, WHO? 171 00:12:36,000 --> 00:12:37,000 MY HUSBAND. 172 00:12:37,000 --> 00:12:40,000 YOUR HUSBAND? 173 00:12:40,000 --> 00:12:43,000 ESTELLE! 174 00:12:43,000 --> 00:12:47,000 SHE'S AT IT AGAIN. 175 00:12:47,000 --> 00:12:49,000 YOU STAY HERE. 176 00:12:49,000 --> 00:12:52,000 ESTELLE! 177 00:12:52,000 --> 00:12:56,000 ESTELLE! 178 00:12:56,000 --> 00:13:01,000 [CRASH] 179 00:13:09,000 --> 00:13:12,000 WHOSE SKATE IS THIS? 180 00:13:12,000 --> 00:13:14,000 THE PLUMBER'S. 181 00:13:14,000 --> 00:13:15,000 THE PLUMBER'S SON. 182 00:13:15,000 --> 00:13:18,000 THE TUB DRAIN WAS STOPPED UP, 183 00:13:18,000 --> 00:13:22,000 AND HE SKATED OVER TO FIX IT. 184 00:13:22,000 --> 00:13:25,000 YOU EXPECT ME TO BELIEVE THAT? 185 00:13:25,000 --> 00:13:27,000 THERE YOU GO, MA'AM. 186 00:13:27,000 --> 00:13:29,000 I DON'T THINK YOU'LL HAVE 187 00:13:29,000 --> 00:13:33,000 ANY MORE PROBLEMS WITH THAT DRAIN. 188 00:13:33,000 --> 00:13:38,000 NOW, CHIEF, UH... 189 00:13:38,000 --> 00:13:41,000 YOU LOOK LIKE YOU'VE HAD A ROUGH DAY. 190 00:13:41,000 --> 00:13:44,000 DON'THINK THAT FRONTAL NUDITY, SEEMING PROXIMITY 191 00:13:44,000 --> 00:13:46,000 CONSTITUTE EVIDENCE-- 192 00:13:46,000 --> 00:13:47,000 BEND OVER. 193 00:13:47,000 --> 00:13:49,000 SORRY? 194 00:13:49,000 --> 00:13:51,000 TURN AROUND AND BEND OVER. 195 00:13:51,000 --> 00:13:52,000 FINE. 196 00:13:52,000 --> 00:13:56,000 THAT'S FINE. 197 00:13:56,000 --> 00:13:57,000 [CLICK] 198 00:13:57,000 --> 00:13:58,000 ONE FALSE MOVE, 199 00:13:58,000 --> 00:14:01,000 AND YOU'LL GET A .38 ENEMA. 200 00:14:01,000 --> 00:14:04,000 THAT'S FINE, TOO. 201 00:14:04,000 --> 00:14:06,000 THAT'S GOOD WORK, FEENY. 202 00:14:06,000 --> 00:14:09,000 OVER AND OUT. 203 00:14:09,000 --> 00:14:12,000 YOU LOOK LIKE YOU'RE HAVING FUN. 204 00:14:12,000 --> 00:14:15,000 FINALLY GOT A MAKE ON YOU, RANGELOFF. 205 00:14:15,000 --> 00:14:18,000 HOW? I'VE NEVER BEEN ARRESTED. 206 00:14:18,000 --> 00:14:20,000 YOU LIVED WITH A GUY 207 00:14:20,000 --> 00:14:24,000 WITH A MILE-LONG RECORD WITH BUNKO-- 208 00:14:24,000 --> 00:14:28,000 ROBERT STURDEVENT, ALIAS BOB STURDY, ALIAS STU ROBINSON. 209 00:14:28,000 --> 00:14:30,000 HOW ABOUT CENTURY MILESTONE? 210 00:14:30,000 --> 00:14:32,000 CENTURY? I DON'T KNOW HIM. 211 00:14:32,000 --> 00:14:34,000 YEAH, I BET. 212 00:14:34,000 --> 00:14:37,000 PUT YOUR CLOTHES BACK ON. 213 00:14:37,000 --> 00:14:42,000 HOW? 214 00:14:45,000 --> 00:14:49,000 I KNOW MY RIGHTS. YOU CAN'T DO THAT. 215 00:14:49,000 --> 00:14:54,000 AFTER WHAT YOU DONE, I CAN DO ANYTHING. 216 00:14:56,000 --> 00:15:00,000 "KEEP YOUR NOSE CLEAN-- CENTURY." 217 00:15:00,000 --> 00:15:05,000 GIVE ME THAT. 218 00:15:12,000 --> 00:15:15,000 OOH! OW! 219 00:15:15,000 --> 00:15:17,000 HEY. YOU ALL RIGHT? 220 00:15:17,000 --> 00:15:19,000 COME HERE. 221 00:15:19,000 --> 00:15:21,000 COME HERE. 222 00:15:21,000 --> 00:15:26,000 LET ME SEE WHAT THIS IS. 223 00:15:26,000 --> 00:15:29,000 I DON'T THINK IT'S GOING TO BE FATAL. 224 00:15:29,000 --> 00:15:31,000 YOU BETTER STOP CRYING. 225 00:15:31,000 --> 00:15:35,000 HEY, MISS, TAKE OUR PICTURE, PLEASE? 226 00:15:35,000 --> 00:15:37,000 GET YOUR PICTURE TOOK. 227 00:15:37,000 --> 00:15:39,000 HOW'S THAT, HUH? 228 00:15:39,000 --> 00:15:40,000 OK, LET'S GO. 229 00:15:40,000 --> 00:15:45,000 [CLICK] 230 00:15:45,000 --> 00:15:48,000 NEXT TIME YOU REACH FOR ANYTHING, 231 00:15:48,000 --> 00:15:50,000 I'LL PISTOL-WHIP YOU. 232 00:15:50,000 --> 00:15:52,000 NOW GET DRESSED. 233 00:15:52,000 --> 00:15:55,000 TRY DOWN HERE ONE MORE TIME. 234 00:15:55,000 --> 00:15:57,000 I'M TIRED. 235 00:15:57,000 --> 00:15:58,000 SHUT UP, PEE WEE. 236 00:15:58,000 --> 00:16:00,000 CHIEF, LOOK AT THAT. 237 00:16:00,000 --> 00:16:05,000 LOOK OUT! 238 00:16:06,000 --> 00:16:08,000 SORRY. 239 00:16:08,000 --> 00:16:10,000 COME ON. LET'S STOP HIM. 240 00:16:10,000 --> 00:16:12,000 DUNAWAY! 241 00:16:12,000 --> 00:16:16,000 WHERE DID THAT GUY COME FROM? 242 00:16:16,000 --> 00:16:19,000 HEY, YOU! GET OUT OF MY WAY! 243 00:16:19,000 --> 00:16:21,000 THAT'S ALL WE NEED-- 244 00:16:21,000 --> 00:16:24,000 GET HIT BY A POLICE CAR. 245 00:16:24,000 --> 00:16:26,000 WHAT'S THIS COFFIN CRAP? 246 00:16:26,000 --> 00:16:31,000 LET'S PUT THE MONEY IN A SUITCASE AND GO T.W.A. 247 00:16:31,000 --> 00:16:33,000 YOUR PICTURE'S EVERYWHERE. 248 00:16:33,000 --> 00:16:35,000 WIDOWS AREN'T ASKED QUESTIONS. 249 00:16:35,000 --> 00:16:38,000 WE'RE SAFE ONCE WE'RE ON THE TRAIN. 250 00:16:38,000 --> 00:16:40,000 ♪ ROUND, ROUND, GET AROUND ♪ 251 00:16:40,000 --> 00:16:41,000 ♪ I GET AROUND ♪ 252 00:16:41,000 --> 00:16:43,000 ♪ YEAH, GET AROUND, ROUND, ROUND ♪ 253 00:16:43,000 --> 00:16:45,000 ♪ I GET AROUND ♪ 254 00:16:45,000 --> 00:16:46,000 ♪ I GET AROUND ♪ 255 00:16:46,000 --> 00:16:47,000 ♪ GET AROUND, ROUND, ROUND, I GET AROUND ♪ 256 00:16:47,000 --> 00:16:49,000 ♪ ALL OVER TOWN ♪ 257 00:16:49,000 --> 00:16:51,000 ♪ GET AROUND, ROUND, ROUND, I GET AROUND ♪ 258 00:16:51,000 --> 00:16:52,000 ♪ I'M A REAL COOL HEAD ♪ 259 00:16:52,000 --> 00:16:53,000 ♪ GET AROUND, ROUND, ROUND, I GET AROUND ♪ 260 00:16:53,000 --> 00:16:55,000 ♪ I'M MAKIN' REAL GOOD BREAD ♪ 261 00:16:55,000 --> 00:16:57,000 ♪ GET AROUND, ROUND, ROUND, I GET AROUND ♪ 262 00:16:57,000 --> 00:16:59,000 ♪ I'M GETTIN' BUGGED ♪ 263 00:16:59,000 --> 00:17:01,000 ♪ DRIVIN' UP AND DOWN THE SAME OLD STRIP ♪♪ 264 00:17:01,000 --> 00:17:06,000 WHAT WILL THIS GET ME IN A 39 REGULAR? 265 00:17:08,000 --> 00:17:11,000 GET SOME OF THOSE FLAGS DOWN HERE. 266 00:17:11,000 --> 00:17:13,000 WHERE ARE WE FORMING UP? 267 00:17:13,000 --> 00:17:16,000 THAT'S NEW YORK CITY, SIR. 268 00:17:16,000 --> 00:17:21,000 GIVE ME THE FLAGS, WILL YOU? 269 00:17:21,000 --> 00:17:23,000 GET INSIDE. 270 00:17:23,000 --> 00:17:27,000 THERE YOU GO. 271 00:17:27,000 --> 00:17:29,000 ISN'T THE HAT TOO SMALL? 272 00:17:29,000 --> 00:17:32,000 GET A HAIRCUT. WELL, DEAL? 273 00:17:32,000 --> 00:17:36,000 THAT DEPENDS ON HOW MUCH CASH YOU'LL GIVE ME, 274 00:17:36,000 --> 00:17:38,000 PLUS THE CLOTHES. 275 00:17:38,000 --> 00:17:39,000 WHO SAID CASH? 276 00:17:39,000 --> 00:17:41,000 THAT'S AN EXPENSIVE WATCH. 277 00:17:41,000 --> 00:17:45,000 LEAVE THE CLOTHES AND WEAR THE WATCH. 278 00:17:45,000 --> 00:17:47,000 TAKE IT OR LEAVE IT. 279 00:17:47,000 --> 00:17:51,000 I'LL TAKE IT. 280 00:17:51,000 --> 00:17:53,000 DUNAWAY, HE JUST DIDN'T DISAPPEAR. 281 00:17:53,000 --> 00:17:56,000 HE'S GOT TO BE HERE. 282 00:17:56,000 --> 00:17:58,000 HE'S AROUND HERE SOMEWHERE. 283 00:17:58,000 --> 00:18:01,000 CAN'T YOU MAKE THIS THING GO FASTER? 284 00:18:01,000 --> 00:18:06,000 I SAID YOU BE HOME AT 3:00! 285 00:18:31,000 --> 00:18:35,000 WANT TO BUY A BOOK ABOUT GEORGE HARRISON? 286 00:18:35,000 --> 00:18:37,000 I DON'T LIKE THE BEATLES. 287 00:18:37,000 --> 00:18:41,000 THEY CAN'T HAVE A PARADE WITHOUT FLAGS. 288 00:18:41,000 --> 00:18:46,000 WATCH IT! 289 00:18:48,000 --> 00:18:53,000 I'LL GO LOOK FOR THAT FLAG DETAIL. 290 00:18:53,000 --> 00:18:57,000 ■■ COME ON. WE DON'T GOT ALL DAY. 291 00:18:57,000 --> 00:19:01,000 I DON'T BELIEVE THE WAY YOU WIN. 292 00:19:01,000 --> 00:19:03,000 I DON'T BELIEVE IT. 293 00:19:03,000 --> 00:19:06,000 CARE FOR A LITTLE FLUTTER, SARGE? 294 00:19:06,000 --> 00:19:11,000 AH, NO. CARRY ON. 295 00:19:12,000 --> 00:19:14,000 JESUS! 296 00:19:14,000 --> 00:19:19,000 LOOK OUT! MPs! 297 00:19:39,000 --> 00:19:43,000 HOLD IT, SERGEANT. 298 00:19:43,000 --> 00:19:47,000 IS THAT FLAG YOURS? 299 00:19:47,000 --> 00:19:52,000 YEAH. 300 00:20:05,000 --> 00:20:10,000 DON'T RUN, JUST DON'T RUN. 301 00:20:15,000 --> 00:20:16,000 STOP! 302 00:20:16,000 --> 00:20:20,000 THERE'S FIVE BUCKS FOR YOU IF YOU STOP. 303 00:20:20,000 --> 00:20:25,000 YES, SIR! 304 00:20:31,000 --> 00:20:36,000 HEE-YAA! 305 00:20:38,000 --> 00:20:40,000 I'LL ASK THE OFFICE 306 00:20:40,000 --> 00:20:45,000 TO KEEP A LOOK OUT FOR HER. 307 00:20:48,000 --> 00:20:53,000 [RADIO] ♪ SING OF HAPPY, NOT SAD ♪ 308 00:20:55,000 --> 00:20:57,000 ♪ SING ♪ 309 00:20:57,000 --> 00:21:01,000 ♪ SING A SONG ♪ 310 00:21:01,000 --> 00:21:02,000 ♪ MAKE IT SIMPLE... ♪♪ 311 00:21:02,000 --> 00:21:04,000 OK, I'M MOVING. 312 00:21:04,000 --> 00:21:07,000 THERE'S A SOLDIER ON PLATFORM 3 313 00:21:07,000 --> 00:21:10,000 BESIDE A FLAG-DRAPED COFFIN. 314 00:21:10,000 --> 00:21:13,000 TAKE THIS TO HIM. I'LL PAY YOU. 315 00:21:13,000 --> 00:21:17,000 ALL RIGHT. YOU'RE FLYING TO RENO. 316 00:21:17,000 --> 00:21:19,000 I'M STAYING WITH THE MONEY. 317 00:21:19,000 --> 00:21:22,000 I'LL TAKE CARE OF SOLDIER BOY. 318 00:21:22,000 --> 00:21:25,000 I CAN'T GO TO THE AIRPORT. 319 00:21:25,000 --> 00:21:27,000 THERE ARE COPS THERE. 320 00:21:27,000 --> 00:21:30,000 AIRPORT? IT'S AN EMPTY LOT. 321 00:21:30,000 --> 00:21:33,000 THE PILOT OWES ME A FAVOR. 322 00:21:33,000 --> 00:21:35,000 HURRY UP THERE, BOYS. 323 00:21:35,000 --> 00:21:37,000 WHERE DID THE WIDOW GO? 324 00:21:37,000 --> 00:21:38,000 WHO? 325 00:21:38,000 --> 00:21:41,000 OH, NEVER MIND. 326 00:21:41,000 --> 00:21:42,000 HERE. 327 00:21:42,000 --> 00:21:44,000 WHAT'S THIS? 328 00:21:44,000 --> 00:21:47,000 FROM THE LADY IN BLACK. 329 00:21:47,000 --> 00:21:51,000 NO REPLY REQUESTED. 330 00:21:51,000 --> 00:21:52,000 BOARD! 331 00:21:52,000 --> 00:21:57,000 HELLO, SIR. 332 00:22:30,000 --> 00:22:33,000 ■ I REMEMBER THE OLD PRESIDENTS 333 00:22:33,000 --> 00:22:35,000 BETTER THAN THE NEW ONES-- 334 00:22:35,000 --> 00:22:38,000 GARFIELD, McKINLEY, ROOSEVELT-- 335 00:22:38,000 --> 00:22:42,000 I'M NOT MUCH AFTER 1933. 336 00:22:42,000 --> 00:22:46,000 TRY ME BEFORE THAT, AND I'M DEAD ON. 337 00:22:46,000 --> 00:22:48,000 THERE WAS TAFT, McKINLEY, 338 00:22:48,000 --> 00:22:50,000 HERBERT HOOPER-- UH, HOOSIER. 339 00:22:50,000 --> 00:22:52,000 WHATEVER IT WAS. 340 00:22:52,000 --> 00:22:55,000 WOULD YOU MIND IF I JUST WENT-- 341 00:22:55,000 --> 00:22:57,000 I REMEMBER WHEN AMRAIL 342 00:22:57,000 --> 00:22:59,000 TOOK OVER THE RAILROADS. 343 00:22:59,000 --> 00:23:02,000 THEY TRIED TO GIVE ME THE BOOT. 344 00:23:02,000 --> 00:23:04,000 I WAS OVER 65. 345 00:23:04,000 --> 00:23:06,000 I WROTE THE PRESIDENT. 346 00:23:06,000 --> 00:23:08,000 OF THE RAILROAD? 347 00:23:08,000 --> 00:23:09,000 UNITED STATES. 348 00:23:09,000 --> 00:23:12,000 THE RAILROAD PRESIDENT IS DEAD. 349 00:23:12,000 --> 00:23:14,000 BUT HE HAD PROMISED ME 350 00:23:14,000 --> 00:23:18,000 I COULD STAY ON UNTIL I DROPPED. 351 00:23:18,000 --> 00:23:21,000 SO I SAYS, "MR. NICKERSON--" 352 00:23:21,000 --> 00:23:22,000 NIXON? 353 00:23:22,000 --> 00:23:24,000 NIXON, THAT'S HIS NAME. 354 00:23:24,000 --> 00:23:26,000 I SAYS TO HIM, 355 00:23:26,000 --> 00:23:29,000 "A PROMISE IS A PROMISE." 356 00:23:29,000 --> 00:23:33,000 WHEN I GOT HIS LETTER OF COMMENDATION, 357 00:23:33,000 --> 00:23:35,000 NOBODY DARED FIRE ME. 358 00:23:35,000 --> 00:23:37,000 NIXON GAVE YOU A COMMENDATION? 359 00:23:37,000 --> 00:23:38,000 HAD TO. 360 00:23:38,000 --> 00:23:40,000 WHY? 361 00:23:40,000 --> 00:23:44,000 I SENT A XEROXED COPY OF MY LETTER 362 00:23:44,000 --> 00:23:47,000 TO WALTER CRONKITE. 363 00:23:47,000 --> 00:23:52,000 THAT WAR YOU WAS IN, THAT WAS IN CHINA? 364 00:23:52,000 --> 00:23:54,000 CLOSE ENOUGH. 365 00:23:54,000 --> 00:23:55,000 WHO WON? 366 00:23:55,000 --> 00:23:57,000 NOBODY. 367 00:23:57,000 --> 00:23:59,000 YOUR BUDDY IN THAT BOX, 368 00:23:59,000 --> 00:24:03,000 WHAT WAS HIS NAME? 369 00:24:03,000 --> 00:24:04,000 BIDDLECOFF. 370 00:24:04,000 --> 00:24:07,000 CORPORAL LANE BIDDLECOFF. 371 00:24:07,000 --> 00:24:10,000 WHERE DOES HE LIVE? 372 00:24:10,000 --> 00:24:12,000 HIGH RIVER, NEBRASKA. 373 00:24:12,000 --> 00:24:14,000 WE DON'T STOP THERE. 374 00:24:14,000 --> 00:24:16,000 THAT'S TOO BAD. 375 00:24:16,000 --> 00:24:20,000 I'LL GO TO THE STOP BEYOND HIGH RIVER. 376 00:24:20,000 --> 00:24:24,000 THE COFFIN TAG SAYS NEW YORK CITY. 377 00:24:24,000 --> 00:24:25,000 CLOSE ENOUGH. 378 00:24:25,000 --> 00:24:27,000 [WHISTLE BLOWS] 379 00:24:27,000 --> 00:24:29,000 COMING INTO RENO. 380 00:24:29,000 --> 00:24:31,000 WOULD YOU EXCUSE ME? 381 00:24:31,000 --> 00:24:32,000 YEAH. 382 00:24:32,000 --> 00:24:37,000 I GOT WORK TO DO. 383 00:24:41,000 --> 00:24:44,000 YOU'RE GOING THE WRONG WAY 384 00:24:44,000 --> 00:24:46,000 FOR THE DINING CAR. 385 00:24:46,000 --> 00:24:49,000 I'LL SHOW YOU THE WAY. 386 00:24:49,000 --> 00:24:54,000 SHIT. 387 00:24:55,000 --> 00:24:57,000 YOUR ATTENTION, PLEASE. 388 00:24:57,000 --> 00:24:59,000 NOW ARRIVING ON TRACK 7, 389 00:24:59,000 --> 00:25:01,000 THE AMRAIL STREAMLINER, 390 00:25:01,000 --> 00:25:03,000 SAN DIEGO FROM OAKLAND. 391 00:25:03,000 --> 00:25:08,000 PASSENGERS WILL DEPART THROUGH GATE 3. 392 00:25:17,000 --> 00:25:18,000 BOBBY! 393 00:25:18,000 --> 00:25:23,000 OH, YOU... 394 00:25:32,000 --> 00:25:35,000 [CLUNK] 395 00:25:35,000 --> 00:25:40,000 [TELEVISION] I ASKED HIM WHY HE WAS IN MY TUB. 396 00:25:40,000 --> 00:25:43,000 HE SAID HE WAS THE PLUMBER'S SON. 397 00:25:43,000 --> 00:25:45,000 AND YOU BELIEVED HIM? 398 00:25:45,000 --> 00:25:48,000 OF COURSE NOT. HE WAS...UNDRESSED. 399 00:25:48,000 --> 00:25:51,000 AND HE FORCED YOU TO UNDRESS? 400 00:25:51,000 --> 00:25:54,000 THAT WAS AN UNFOUNDED RUMOR 401 00:25:54,000 --> 00:25:59,000 CIRCULATED BY MY EX-DEPUTY... 402 00:26:06,000 --> 00:26:08,000 WHERE THE HELL YOU BEEN? 403 00:26:08,000 --> 00:26:11,000 YOUR PILOT LANDED TWICE FOR DIRECTIONS. 404 00:26:11,000 --> 00:26:14,000 WEREN'T YOU GETTING RID OF HIM? 405 00:26:14,000 --> 00:26:17,000 I AM. 406 00:26:17,000 --> 00:26:19,000 THESE BOOTS SURE HURT. 407 00:26:19,000 --> 00:26:22,000 YOU AIN'T USED TO WEARING THEM THINGS, 408 00:26:22,000 --> 00:26:24,000 NOW ARE YOU? 409 00:26:24,000 --> 00:26:26,000 I'LL SAY IT ONCE. 410 00:26:26,000 --> 00:26:29,000 GET ON THAT TRAIN, YOU'RE DEAD. 411 00:26:29,000 --> 00:26:30,000 WHAT? 412 00:26:30,000 --> 00:26:33,000 DEAD. 413 00:26:33,000 --> 00:26:35,000 [TELEVISION] VICE PRESIDENT AGNEW 414 00:26:35,000 --> 00:26:37,000 TOOK THE OFFENSIVE YESTERDAY 415 00:26:37,000 --> 00:26:40,000 AGAINST REPORTS THAT HE TOOK KICKBACKS 416 00:26:40,000 --> 00:26:42,000 FROM GOVERNMENT CONTRACTORS, 417 00:26:42,000 --> 00:26:44,000 DENOUNCING THE CHARGES AS LIES. 418 00:26:44,000 --> 00:26:46,000 WHAT'S HE DOING? 419 00:26:46,000 --> 00:26:48,000 PROBABLY CALLING HIS MOTHER 420 00:26:48,000 --> 00:26:51,000 TO SAY HE'S CATCHING A LATER TRAIN. 421 00:26:51,000 --> 00:26:53,000 IT'S MICHAEL. 422 00:26:53,000 --> 00:26:55,000 IS CENTURY THERE? 423 00:26:55,000 --> 00:26:57,000 WHERE IS HE? 424 00:26:57,000 --> 00:26:59,000 DON'T GIVE ME THE NUMBER. 425 00:26:59,000 --> 00:27:02,000 I'LL TELL YOU WHERE I AM. 426 00:27:02,000 --> 00:27:05,000 JUST SHUT UP AND LISTEN. 427 00:27:05,000 --> 00:27:06,000 BOARD! 428 00:27:06,000 --> 00:27:10,000 AS A COUNTERMOVE TO THE WATERGATE HEARINGS, 429 00:27:10,000 --> 00:27:13,000 H.R. HALDEMAN, WHITE HOUSE CHIEF OF STAFF, 430 00:27:13,000 --> 00:27:18,000 PROPOSED LEAKING A STORY THAT GEORGE McGOVERN... 431 00:27:18,000 --> 00:27:20,000 SURE SCARED HIM OFF. 432 00:27:20,000 --> 00:27:22,000 ...FATHERED AN ILLEGITIMATE CHILD. 433 00:27:22,000 --> 00:27:27,000 SON OF A BITCH! 434 00:27:31,000 --> 00:27:33,000 FBI. 435 00:27:33,000 --> 00:27:35,000 HOW DO YOU KNOW? 436 00:27:35,000 --> 00:27:40,000 HIS SHOES. 437 00:27:40,000 --> 00:27:42,000 DON'T BOARD HERE. IT'S RISKY. 438 00:27:42,000 --> 00:27:43,000 WHAT ABOUT YOU? 439 00:27:43,000 --> 00:27:45,000 I'M NOT LATIMER'S DAUGHTER. 440 00:27:45,000 --> 00:27:49,000 THE PILOT WILL FLY YOU TO OGDEN. 441 00:27:49,000 --> 00:27:50,000 ONCE YOU'RE THERE, 442 00:27:50,000 --> 00:27:54,000 THE MONEY WILL BE IN A BAG. 443 00:27:54,000 --> 00:27:57,000 SOLDIER BOY WILL BE IN A COFFIN. 444 00:27:57,000 --> 00:28:00,000 HOPE MY INFORMERS HELPED. 445 00:28:00,000 --> 00:28:05,000 MY SUSPECT SHOULD BE ON THIS TRAIN. 446 00:28:18,000 --> 00:28:20,000 CAN I HELP YOU? 447 00:28:20,000 --> 00:28:22,000 I'M A CRIPPLE, RIGHT? 448 00:28:22,000 --> 00:28:23,000 WELL, I-- 449 00:28:23,000 --> 00:28:26,000 SERGEANT STUD TO THE RESCUE. 450 00:28:26,000 --> 00:28:28,000 I JUST WANTED TO-- 451 00:28:28,000 --> 00:28:30,000 TO SHOW ME YOUR MUSCLES. 452 00:28:30,000 --> 00:28:32,000 IT'S SUPER FAG. 453 00:28:32,000 --> 00:28:34,000 FORGET IT. 454 00:28:34,000 --> 00:28:36,000 NO, NO, NO, GO AHEAD. 455 00:28:36,000 --> 00:28:39,000 HELP ME. 456 00:28:39,000 --> 00:28:44,000 IT'S ABOUT TIME FOR SOME BASTARD TO RUIN MY LIFE. 457 00:28:44,000 --> 00:28:48,000 WHY SHOULDN'T IT BE YOU? 458 00:28:48,000 --> 00:28:51,000 OH, SIT, SIT. 459 00:28:51,000 --> 00:28:56,000 I'M A MASOCHIST. 460 00:28:56,000 --> 00:28:58,000 IF YOU'RE NOT A FAG, 461 00:28:58,000 --> 00:29:03,000 WHY WAS HE HOLDING YOUR ARM? 462 00:29:03,000 --> 00:29:05,000 DON'T EVEN KNOW HIM. 463 00:29:05,000 --> 00:29:08,000 WHY IS HE STARING AT US THEN? 464 00:29:08,000 --> 00:29:13,000 EVERYONE'S STARING AT US. 465 00:29:15,000 --> 00:29:17,000 YOU WANT TO STARE? 466 00:29:17,000 --> 00:29:20,000 YOU WANT TO STARE AT ME? 467 00:29:20,000 --> 00:29:25,000 I'LL GIVE YOU SOMETHING TO STARE AT. 468 00:29:25,000 --> 00:29:30,000 TA-DA! 469 00:29:30,000 --> 00:29:35,000 PEOPLE. 470 00:29:37,000 --> 00:29:39,000 YOU'RE LOOKING FOR CIGARETTES, RIGHT? 471 00:29:39,000 --> 00:29:41,000 YOU WON'T FIND ANY, 472 00:29:41,000 --> 00:29:45,000 AND YOU'LL TRY TO BUM ONE FROM ME. 473 00:29:45,000 --> 00:29:48,000 YOU CAN'T TREAT ME LIKE SHIT 474 00:29:48,000 --> 00:29:51,000 AND THEN MOOCH A CIGARETTE. 475 00:29:51,000 --> 00:29:52,000 I DON'T SMOKE. 476 00:29:52,000 --> 00:29:54,000 [GARGLES] 477 00:29:54,000 --> 00:29:56,000 I HAVE AN IDEA. 478 00:29:56,000 --> 00:30:00,000 LET'S TRY TO HAVE A NORMAL CONVERSATION. 479 00:30:00,000 --> 00:30:02,000 IT'S A LONG TRAIN RIDE. 480 00:30:02,000 --> 00:30:05,000 IF I'M SO FUCKING BORING, 481 00:30:05,000 --> 00:30:08,000 WHY DON'T YOU CATCH A PLANE? 482 00:30:08,000 --> 00:30:12,000 MY BUDDY'S LYING IN A BAGGAGE CAR. 483 00:30:12,000 --> 00:30:14,000 YOUR BUDDY? WOO, WOO! 484 00:30:14,000 --> 00:30:16,000 HE'S A FAGGOT, TOO, RIGHT? 485 00:30:16,000 --> 00:30:18,000 WHAT'S HE DOING THERE, 486 00:30:18,000 --> 00:30:20,000 WAITING FOR THE CONDUCTOR 487 00:30:20,000 --> 00:30:22,000 TO PUNCH HIS TICKET? 488 00:30:22,000 --> 00:30:27,000 HE'S IN A CASKET. CAMBODIA. LAND MINE. 489 00:30:29,000 --> 00:30:34,000 I'M BRINGING HIM HOME. 490 00:30:35,000 --> 00:30:36,000 YOU PRICK. 491 00:30:36,000 --> 00:30:40,000 NOW I FEEL LIKE A PIECE OF SHIT. 492 00:30:40,000 --> 00:30:43,000 YOU DID IT ON PURPOSE, 493 00:30:43,000 --> 00:30:46,000 JUST LIKE RORY USED TO DO. 494 00:30:46,000 --> 00:30:48,000 I'M SORRY, REALLY. 495 00:30:48,000 --> 00:30:50,000 I KNOW MY FAULTS. 496 00:30:50,000 --> 00:30:54,000 RORY REMINDED ME OF THEM FOR TWO YEARS. 497 00:30:54,000 --> 00:30:56,000 SO WHY DID I MARRY HIM? 498 00:30:56,000 --> 00:30:58,000 I'M AN ACTRESS. 499 00:30:58,000 --> 00:31:00,000 ACTRESSES SHOULD STAY VULNERABLE. 500 00:31:00,000 --> 00:31:02,000 RORY'S AN ACTOR, TOO? 501 00:31:02,000 --> 00:31:03,000 MALE MODEL. 502 00:31:03,000 --> 00:31:06,000 PACO RABANNE SHOULD HAVE TOLD ME. 503 00:31:06,000 --> 00:31:08,000 WHO'S HE? 504 00:31:08,000 --> 00:31:09,000 IT'S A COLOGNE. 505 00:31:09,000 --> 00:31:12,000 HE HAD A GALLON OF IT. 506 00:31:12,000 --> 00:31:14,000 DEAD GIVEAWAY, 507 00:31:14,000 --> 00:31:17,000 THAT AND THE OPEN-MESH JOCKEY SHORTS. 508 00:31:17,000 --> 00:31:21,000 WHAT'S YOUR NAME? 509 00:31:21,000 --> 00:31:23,000 DON'T LAUGH. 510 00:31:23,000 --> 00:31:27,000 STANDISH LOGAN. 511 00:31:27,000 --> 00:31:29,000 I LIKE IT. 512 00:31:29,000 --> 00:31:31,000 OH, BULLSHIT. 513 00:31:31,000 --> 00:31:34,000 BUT IT'S A GOOD NAME PROFESSIONALLY. 514 00:31:34,000 --> 00:31:35,000 IT'S ARRESTING. 515 00:31:35,000 --> 00:31:38,000 YOU ACT ON STAGE OR MOVIES? 516 00:31:38,000 --> 00:31:40,000 STRICTLY THE BOOB TUBE. 517 00:31:40,000 --> 00:31:43,000 I DID A MOD SQUAD LAST YEAR. 518 00:31:43,000 --> 00:31:46,000 NOBODY SAW IT. FUCKING PLAY-OFFS. 519 00:31:46,000 --> 00:31:49,000 MY AGENT SAID HE SAW IT, 520 00:31:49,000 --> 00:31:51,000 BUT HE'S FULL OF SHIT. 521 00:31:51,000 --> 00:31:53,000 HOLLYWOOD. 522 00:31:53,000 --> 00:31:55,000 WHAT'S YOUR NAME? 523 00:31:55,000 --> 00:31:57,000 MICHAEL RANGELOFF. 524 00:31:57,000 --> 00:32:01,000 I LIKE THE FIRST NAME. 525 00:32:01,000 --> 00:32:06,000 THE SECOND ONE... 526 00:32:06,000 --> 00:32:09,000 ARE YOU HUNGRY? NEITHER AM I. 527 00:32:09,000 --> 00:32:11,000 SOME WOMEN GORGE THEMSELVES 528 00:32:11,000 --> 00:32:13,000 WHEN THEY GET DIVORCED. 529 00:32:13,000 --> 00:32:15,000 I COULDN'T. 530 00:32:15,000 --> 00:32:18,000 WHAT HE DID MAKES ME THROW UP. 531 00:32:18,000 --> 00:32:21,000 TAKE ME TO THE BAGGAGE CAR 532 00:32:21,000 --> 00:32:23,000 TO SEE YOUR FRIEND. 533 00:32:23,000 --> 00:32:25,000 IT'S JUST A SEALED CASKET 534 00:32:25,000 --> 00:32:27,000 WITH A FLAG OVER IT. 535 00:32:27,000 --> 00:32:30,000 I'D LIKE TO SEE IT. 536 00:32:30,000 --> 00:32:31,000 WHY? 537 00:32:31,000 --> 00:32:33,000 IF I KNEW WHY, 538 00:32:33,000 --> 00:32:35,000 I'D CHANGE MY MIND. 539 00:32:35,000 --> 00:32:37,000 PLEASE? 540 00:32:37,000 --> 00:32:42,000 OK. 541 00:32:43,000 --> 00:32:48,000 TICKETS! 542 00:32:50,000 --> 00:32:53,000 OH, HOWDY. 543 00:32:53,000 --> 00:32:57,000 TICKETS. 544 00:32:57,000 --> 00:32:59,000 THIS IS FOR A ROOMETTE. 545 00:32:59,000 --> 00:33:04,000 I'LL SHOW YOU WHERE IT IS. 546 00:33:14,000 --> 00:33:19,000 STANDISH, PLEASE DON'T CRY. 547 00:33:19,000 --> 00:33:22,000 LOOK, I GOT SOMETHING TO SAY-- 548 00:33:22,000 --> 00:33:24,000 SON OF A BITCH. 549 00:33:24,000 --> 00:33:26,000 WHO, ME? 550 00:33:26,000 --> 00:33:29,000 YOU HAD TO BE TELLING THE TRUTH. 551 00:33:29,000 --> 00:33:31,000 HE'S HERE, ALL RIGHT. 552 00:33:31,000 --> 00:33:34,000 I WAS HOPING YOU WERE LYING, 553 00:33:34,000 --> 00:33:36,000 THAT THERE WASN'T ANY COFFIN. 554 00:33:36,000 --> 00:33:38,000 ARE YOU A HERO, TOO? 555 00:33:38,000 --> 00:33:39,000 NO. 556 00:33:39,000 --> 00:33:41,000 JESUS, MICHAEL. 557 00:33:41,000 --> 00:33:43,000 OH, DON'T... 558 00:33:43,000 --> 00:33:44,000 I'M SORRY. 559 00:33:44,000 --> 00:33:48,000 I'VE JUST NEVER KNOWN ANYBODY LIKE YOU. 560 00:33:48,000 --> 00:33:51,000 ALL THE GUYS I KNOW ARE JERKS, 561 00:33:51,000 --> 00:33:56,000 LIKE RORY AND MY LOUSY MANAGER. 562 00:33:56,000 --> 00:33:58,000 OH, COME ON. 563 00:33:58,000 --> 00:34:02,000 HE TRIED TO TAKE 50% OF MY UNEMPLOYMENT. 564 00:34:02,000 --> 00:34:03,000 COME HERE. 565 00:34:03,000 --> 00:34:07,000 HOLLYWOOD'S RUINING MY LIFE. 566 00:34:07,000 --> 00:34:08,000 SORRY. 567 00:34:08,000 --> 00:34:13,000 OK, OK, IT'S ALL RIGHT. 568 00:34:37,000 --> 00:34:40,000 TOOTHPASTE. 569 00:34:40,000 --> 00:34:43,000 WHEN AMRAIL TOOK OVER THE RAILROADS, 570 00:34:43,000 --> 00:34:45,000 THEY TRIED TO BOOT ME. 571 00:34:45,000 --> 00:34:48,000 WILL YOU PUNCH THAT TICKET? 572 00:34:48,000 --> 00:34:53,000 I DECIDED TO WRITE THE PRESIDENT. 573 00:34:55,000 --> 00:35:00,000 WE'RE TALKING HISTORY HERE. 574 00:35:00,000 --> 00:35:03,000 YOU OK NOW? 575 00:35:03,000 --> 00:35:06,000 HEY, HEY. COME ON. 576 00:35:06,000 --> 00:35:08,000 YEAH, I'M FINE. 577 00:35:08,000 --> 00:35:10,000 YOU SURE? 578 00:35:10,000 --> 00:35:13,000 I GOT YOUR FLAG ALL WET. 579 00:35:13,000 --> 00:35:16,000 IF IT'S RUINED, SEND ME THE BILL. 580 00:35:16,000 --> 00:35:18,000 WHERE TO? 581 00:35:18,000 --> 00:35:22,000 THE ALAN SCHNEDECKER MEMORIAL RECUPERATION HOSPITAL, IN DENVER. 582 00:35:22,000 --> 00:35:26,000 THAT'S WHERE I'M GOING TO HAVE MY BREAKDOWN. 583 00:35:26,000 --> 00:35:29,000 YOU'RE GOING TO HAVE A BREAKDOWN? 584 00:35:29,000 --> 00:35:30,000 HAVING. 585 00:35:30,000 --> 00:35:32,000 HADN'T YOU NOTICED? 586 00:35:32,000 --> 00:35:33,000 NO. 587 00:35:33,000 --> 00:35:36,000 I'M GOING TO REGRET THIS. 588 00:35:36,000 --> 00:35:38,000 I THOUGHT I TOLD YOU 589 00:35:38,000 --> 00:35:41,000 TO STAY OFF THIS TRAIN. 590 00:35:41,000 --> 00:35:42,000 WHO ARE YOU? 591 00:35:42,000 --> 00:35:46,000 IF THAT CARGO'S BEEN TOUCHED, IT'S YOUR ASS. 592 00:35:46,000 --> 00:35:48,000 WHAT ABOUT HIS ASS? 593 00:35:48,000 --> 00:35:50,000 BUTTON IT, BIMBO. 594 00:35:50,000 --> 00:35:53,000 WHO ARE YOU CALLING A BIMBO? 595 00:35:53,000 --> 00:35:55,000 GET OUT OF HERE. 596 00:35:55,000 --> 00:35:57,000 YOU'RE MINE. 597 00:35:57,000 --> 00:35:59,000 IF HE'S ANYBODY'S, HE'S MINE. 598 00:35:59,000 --> 00:36:02,000 GO CRUISE THE MEN'S ROOM. 599 00:36:02,000 --> 00:36:03,000 YEAH. 600 00:36:03,000 --> 00:36:06,000 WHAT WERE YOU GOING TO TELL ME? 601 00:36:06,000 --> 00:36:11,000 FORGET IT, BIMBO. 602 00:36:25,000 --> 00:36:29,000 SO I SAYS TO HIM, "PRESIDENT NICKERSON--" 603 00:36:29,000 --> 00:36:30,000 NIXON. 604 00:36:30,000 --> 00:36:31,000 THAT'S IT. 605 00:36:31,000 --> 00:36:33,000 MR. STAPLETON-- 606 00:36:33,000 --> 00:36:34,000 WHO'S THAT? 607 00:36:34,000 --> 00:36:35,000 YOU. 608 00:36:35,000 --> 00:36:38,000 I'M GOING TO TALK TO THE PASSENGERS. 609 00:36:38,000 --> 00:36:43,000 I'LL GO WITH YOU. 610 00:36:56,000 --> 00:36:58,000 ALL RIGHT, GET UP. 611 00:36:58,000 --> 00:37:00,000 COME WITH ME. 612 00:37:00,000 --> 00:37:02,000 WHERE WE GOING? 613 00:37:02,000 --> 00:37:05,000 MY ROOMETTE, BOTH OF YOU. 614 00:37:05,000 --> 00:37:07,000 FUCK OFF, FAGGOT. 615 00:37:07,000 --> 00:37:11,000 THIS WON'T WAIT. 616 00:37:11,000 --> 00:37:13,000 YOU DEGENERATE. 617 00:37:13,000 --> 00:37:17,000 THERE HE IS. 618 00:37:17,000 --> 00:37:19,000 WHAT ELSE CAN HAPPEN? 619 00:37:19,000 --> 00:37:22,000 GET YOUR FEET OFF THAT SEAT. 620 00:37:22,000 --> 00:37:25,000 HOW LOVELY TO SEE YOU AGAIN! 621 00:37:25,000 --> 00:37:27,000 I HAD TO ASK. 622 00:37:27,000 --> 00:37:30,000 I GOT IT. I'M IN SHANGRI-LA. 623 00:37:30,000 --> 00:37:32,000 WHAT'S YOUR NAME, SOLDIER? 624 00:37:32,000 --> 00:37:34,000 FREDERICK J. KIRK. 625 00:37:34,000 --> 00:37:36,000 YOU SAID HE WAS RANGELOFF. 626 00:37:36,000 --> 00:37:38,000 LANE BIDDLECOFF. 627 00:37:38,000 --> 00:37:39,000 THAT'S YOUR NAME? 628 00:37:39,000 --> 00:37:41,000 HIS BUDDY IN THE BOX. 629 00:37:41,000 --> 00:37:43,000 IS KAFKA WRITING THIS? 630 00:37:43,000 --> 00:37:45,000 MR. STAPLETON'S CONFUSED. 631 00:37:45,000 --> 00:37:48,000 YOU GOT ON AT OAKLAND? 632 00:37:48,000 --> 00:37:51,000 YOU'RE ASKING A LOT OF QUESTIONS. 633 00:37:51,000 --> 00:37:54,000 I'VE GOT A LICENSE. ORMOND, FBI. 634 00:37:54,000 --> 00:37:55,000 KNOW THIS WOMAN? 635 00:37:55,000 --> 00:37:56,000 NO. 636 00:37:56,000 --> 00:37:59,000 YOU'RE NOT LOOKING AT THE PHOTO. 637 00:37:59,000 --> 00:38:02,000 WE SPENT 30 MINUTES TOGETHER. 638 00:38:02,000 --> 00:38:03,000 WHERE? 639 00:38:03,000 --> 00:38:04,000 IN HER BATHTUB. 640 00:38:04,000 --> 00:38:05,000 WHAT? 641 00:38:05,000 --> 00:38:07,000 IN HER BATHTUB! 642 00:38:07,000 --> 00:38:09,000 EVER WORK FOR HER FATHER? 643 00:38:09,000 --> 00:38:12,000 FATHER? WASN'T HE HER HUSBAND, 644 00:38:12,000 --> 00:38:14,000 THE CHIEF OF POLICE? 645 00:38:14,000 --> 00:38:16,000 LATIMER IS CHIEF OF POLICE? 646 00:38:16,000 --> 00:38:18,000 WHO'S LATIMER? 647 00:38:18,000 --> 00:38:20,000 I DON'T KNOW HER. 648 00:38:20,000 --> 00:38:22,000 WHAT'S YOUR DESTINATION, SERGEANT? 649 00:38:22,000 --> 00:38:27,000 NEW YORK. 650 00:38:28,000 --> 00:38:30,000 WHO'S KAFKA? 651 00:38:30,000 --> 00:38:32,000 MAYBE HER FIRST NAME. 652 00:38:32,000 --> 00:38:35,000 KAFKA, A FIRST NAME? 653 00:38:35,000 --> 00:38:37,000 WHO ARE YOU? 654 00:38:37,000 --> 00:38:38,000 STANDISH. 655 00:38:38,000 --> 00:38:40,000 NO, I'M STANDISH. 656 00:38:40,000 --> 00:38:44,000 YOU TOLD ME YOUR NAME WAS MICHAEL RANGELOFF. 657 00:38:44,000 --> 00:38:47,000 YOU SURE YOU WANT TO GET INVOLVED? 658 00:38:47,000 --> 00:38:50,000 INVOLVED? WHERE HAVE YOU BEEN? 659 00:38:50,000 --> 00:38:52,000 ALL RIGHT, ALL RIGHT. 660 00:38:52,000 --> 00:38:54,000 YOU'LL BUY ME A DRINK, 661 00:38:54,000 --> 00:38:57,000 I'LL TELL YOU EVERYTHING. 662 00:38:57,000 --> 00:38:59,000 INCLUDING THE BATHTUB? 663 00:38:59,000 --> 00:39:04,000 EVEN THE BATHTUB. 664 00:39:07,000 --> 00:39:10,000 SO YOUR NAME IS RANGELOFF. 665 00:39:10,000 --> 00:39:12,000 AND, AND, AND, AND... 666 00:39:12,000 --> 00:39:14,000 YOU LIVED IN AN ORPHANAGE 667 00:39:14,000 --> 00:39:16,000 UNTIL YOU WERE 16? 668 00:39:16,000 --> 00:39:19,000 EXCEPT FOR SOME FOSTER HOMES, 669 00:39:19,000 --> 00:39:21,000 BUT I ALWAYS CAME BACK. 670 00:39:21,000 --> 00:39:24,000 I'M ALLERGIC TO CHILD ABUSE. 671 00:39:24,000 --> 00:39:27,000 THEN YOU WERE ADOPTED BY CENTURY? 672 00:39:27,000 --> 00:39:28,000 NOT ADOPTED. 673 00:39:28,000 --> 00:39:31,000 HE WAS RAISED IN THE ORPHANGE, TOO. 674 00:39:31,000 --> 00:39:34,000 HE WOULD VISIT ME THERE. 675 00:39:34,000 --> 00:39:36,000 WHAT DOES HE DO? 676 00:39:36,000 --> 00:39:38,000 HE'S A CON MAN. 677 00:39:38,000 --> 00:39:39,000 A CROOK? 678 00:39:39,000 --> 00:39:41,000 NO, NO, NO. 679 00:39:41,000 --> 00:39:44,000 WHEN A CROOK ROBS YOU, YOU KNOW IT. 680 00:39:44,000 --> 00:39:48,000 PEOPLE TAKEN BY CENTURY DON'T KNOW IT. 681 00:39:48,000 --> 00:39:51,000 HE TAUGHT ME A FEW THINGS, 682 00:39:51,000 --> 00:39:53,000 LIKE KNOCKING THIS COIN 683 00:39:53,000 --> 00:39:56,000 THROUGH THE BAR USING THIS GLASS. 684 00:39:56,000 --> 00:39:58,000 HE TRIED TO TRAIN ME, 685 00:39:58,000 --> 00:40:01,000 BUT I DIDN'T HAVE THE TALENT. 686 00:40:01,000 --> 00:40:03,000 WHAT DO YOU DO? 687 00:40:03,000 --> 00:40:05,000 WELL, YOU NAME IT. 688 00:40:05,000 --> 00:40:09,000 THIS WEEK, I MANAGE A ROLLER DERBY TEAM. 689 00:40:09,000 --> 00:40:11,000 LAST WEEK, I UNLOADED CARGO. 690 00:40:11,000 --> 00:40:13,000 CARGO! HE SAID CARGO! 691 00:40:13,000 --> 00:40:15,000 WHERE ARE YOU GOING? 692 00:40:15,000 --> 00:40:17,000 BAGGAGE CAR. 693 00:40:17,000 --> 00:40:19,000 I GET OFF IN OGDEN. 694 00:40:19,000 --> 00:40:23,000 LET'S GET IT ON BEFORE I GET OFF. 695 00:40:23,000 --> 00:40:25,000 THE SHERMAN TANK APPROACH. 696 00:40:25,000 --> 00:40:28,000 MAY I ASK A PERSONAL QUESTION? 697 00:40:28,000 --> 00:40:30,000 THE PERSONALER, THE BETTER. 698 00:40:30,000 --> 00:40:33,000 DO YOU HAVE THE CLAP? 699 00:40:33,000 --> 00:40:34,000 NO. 700 00:40:34,000 --> 00:40:39,000 I DO. 701 00:41:35,000 --> 00:41:36,000 OH, MY GOD! 702 00:41:36,000 --> 00:41:38,000 THE COFFIN! 703 00:41:38,000 --> 00:41:43,000 IT'S HER! 704 00:41:43,000 --> 00:41:48,000 WHEW! 705 00:42:29,000 --> 00:42:33,000 I GUESS I WAS NEXT. 706 00:42:33,000 --> 00:42:38,000 GET OUT OF HERE! 707 00:42:40,000 --> 00:42:43,000 OH! 708 00:42:43,000 --> 00:42:48,000 SOME GUYS JUST CAN'T TAKE A HINT. 709 00:42:52,000 --> 00:42:53,000 MR. STAPLETON, 710 00:42:53,000 --> 00:42:57,000 CAN I GET CLOSER TO THAT SINK? 711 00:42:57,000 --> 00:43:01,000 I KNOW I WAS BORN WHEN THEY SHOT LINCOLN. 712 00:43:01,000 --> 00:43:03,000 OR WAS IT McKINLEY? 713 00:43:03,000 --> 00:43:05,000 MIGHT HAVE BEEN McKINLEY. 714 00:43:05,000 --> 00:43:09,000 I KNOW WHERE GEORGIANA LATIMER IS. 715 00:43:09,000 --> 00:43:10,000 WHERE? 716 00:43:10,000 --> 00:43:13,000 IN THE COFFIN. HE KILLED HER. 717 00:43:13,000 --> 00:43:15,000 CORPORAL BIDDLECOFF'S IN THE COFFIN. 718 00:43:15,000 --> 00:43:17,000 HOW DO YOU KNOW? 719 00:43:17,000 --> 00:43:19,000 THEY TOLD ME. 720 00:43:19,000 --> 00:43:21,000 WHO KILLED HER? 721 00:43:21,000 --> 00:43:22,000 MICHAEL RANGELOFF, 722 00:43:22,000 --> 00:43:25,000 THE PERVERT I'VE BEEN SITTING WITH. 723 00:43:25,000 --> 00:43:27,000 YOU MEAN SERGEANT KIRK? 724 00:43:27,000 --> 00:43:30,000 WHO KNOWS HIS REAL NAME? 725 00:43:30,000 --> 00:43:31,000 PRESIDENT GARFIELD! 726 00:43:31,000 --> 00:43:35,000 I WAS ALIVE WHEN THEY SHOT HIM. 727 00:43:35,000 --> 00:43:37,000 I'VE GOT IT. 728 00:43:37,000 --> 00:43:39,000 HE STOLE CORPORAL BIDDLECOFF'S UNIFORM. 729 00:43:39,000 --> 00:43:41,000 THEN HE DITCHED HIM. 730 00:43:41,000 --> 00:43:45,000 THEN HE PUT HER IN THE COFFIN. 731 00:43:45,000 --> 00:43:47,000 THEY'RE BOTH IN THERE! 732 00:43:47,000 --> 00:43:52,000 DO SOMETHING! 733 00:43:59,000 --> 00:44:01,000 THE TRAIN'S SLOWING DOWN. 734 00:44:01,000 --> 00:44:03,000 WE'RE COMING INTO OGDEN. 735 00:44:03,000 --> 00:44:05,000 HE'LL GET AWAY! 736 00:44:05,000 --> 00:44:07,000 YOU WON'T LET HIM. 737 00:44:07,000 --> 00:44:09,000 ME? 738 00:44:09,000 --> 00:44:11,000 YOU'LL RETURN TO YOUR SEAT 739 00:44:11,000 --> 00:44:13,000 AND BEHAVE NORMALLY. 740 00:44:13,000 --> 00:44:16,000 I'M IN THE MIDDLE OF A NERVOUS BREAKDOWN. 741 00:44:16,000 --> 00:44:18,000 YOU CAN DO IT. 742 00:44:18,000 --> 00:44:21,000 I COULD SHIT. 743 00:44:21,000 --> 00:44:22,000 ALL RIGHT. 744 00:44:22,000 --> 00:44:25,000 IN CASE HE TRIES TO BOLT, 745 00:44:25,000 --> 00:44:28,000 I'LL COVER THE TRAIN STATION. 746 00:44:28,000 --> 00:44:29,000 LET'S GO. 747 00:44:29,000 --> 00:44:34,000 THAT GIRL'S GOT A NASTY MOUTH. 748 00:44:41,000 --> 00:44:44,000 LINE UP RIGHT THERE AND BE QUIET. 749 00:44:44,000 --> 00:44:47,000 HAVE A FLOWER FOR YOUR BEREAVEMENT. 750 00:44:47,000 --> 00:44:52,000 OK, DON'T. 751 00:44:53,000 --> 00:44:55,000 WHERE HAVE YOU BEEN? 752 00:44:55,000 --> 00:44:57,000 IN THE MEN'S ROOM. 753 00:44:57,000 --> 00:45:00,000 I HAVE SOMETHING TO TELL YOU. 754 00:45:00,000 --> 00:45:04,000 I THINK I'M IN TROUBLE. 755 00:45:04,000 --> 00:45:06,000 YOU THINK YOU'RE IN TROUBLE. 756 00:45:06,000 --> 00:45:07,000 WHAT'S WRONG? 757 00:45:07,000 --> 00:45:09,000 WHAT'S WRONG? 758 00:45:09,000 --> 00:45:11,000 STOP REPEATING ME AND LISTEN. 759 00:45:11,000 --> 00:45:13,000 I OPENED THAT COFFIN-- 760 00:45:13,000 --> 00:45:16,000 I DON'T WANT TO HEAR IT. 761 00:45:16,000 --> 00:45:17,000 [WHISTLING] 762 00:45:17,000 --> 00:45:22,000 DON'T TOUCH ME! 763 00:45:22,000 --> 00:45:24,000 OH, MY GOD! 764 00:45:24,000 --> 00:45:27,000 OW! 765 00:45:27,000 --> 00:45:28,000 GEORGIE! 766 00:45:28,000 --> 00:45:32,000 FBI ON BOARD. MEET ME IN NEW YORK. 767 00:45:32,000 --> 00:45:34,000 WHAT ABOUT THE SOLDIER? 768 00:45:34,000 --> 00:45:36,000 TODAY. 769 00:45:36,000 --> 00:45:38,000 YOU BASTARD! WHAT'S GOING ON? 770 00:45:38,000 --> 00:45:42,000 FBI! 771 00:45:42,000 --> 00:45:46,000 TRAIN LEAVING ON TRACK 26. 772 00:45:46,000 --> 00:45:48,000 WHAT HAVE I DONE? 773 00:45:48,000 --> 00:45:49,000 MICHAEL? 774 00:45:49,000 --> 00:45:52,000 YOU'LL BE SO MAD AT ME. 775 00:45:52,000 --> 00:45:55,000 WHAT DID YOU DO, STANDISH? 776 00:45:55,000 --> 00:45:57,000 ALL ABOARD, PLEASE, LAST CALL. 777 00:45:57,000 --> 00:45:59,000 ALL ABOARD, ALL ABOARD. 778 00:45:59,000 --> 00:46:02,000 HE DIDN'T TRY TO GET OFF. 779 00:46:02,000 --> 00:46:03,000 WHO? 780 00:46:03,000 --> 00:46:05,000 SERGEANT KIRK. LET'S GO. 781 00:46:05,000 --> 00:46:06,000 RIGHT. 782 00:46:06,000 --> 00:46:11,000 BOARD! 783 00:46:11,000 --> 00:46:14,000 LET'S GO TALK TO HIM. 784 00:46:14,000 --> 00:46:19,000 WHO? 785 00:46:19,000 --> 00:46:21,000 YOU DID WHAT? 786 00:46:21,000 --> 00:46:23,000 I TOLD THE FBI 787 00:46:23,000 --> 00:46:25,000 YOU MURDERED GEORGIANA LATIMER 788 00:46:25,000 --> 00:46:27,000 AND HER BODY'S IN THE COFFIN. 789 00:46:27,000 --> 00:46:32,000 GIVE ME A PENCIL. 790 00:46:39,000 --> 00:46:41,000 WHAT DID YOU DO? 791 00:46:41,000 --> 00:46:44,000 SHE'S OK. THESE FITS NEVER LAST. 792 00:46:44,000 --> 00:46:45,000 FITS? 793 00:46:45,000 --> 00:46:47,000 SHE CAN HEAR YOU. 794 00:46:47,000 --> 00:46:49,000 WHAT IS YOUR NAME? 795 00:46:49,000 --> 00:46:52,000 SERGEANT FREDERICK KIRK, SPECIAL GRAVES DETAIL. 796 00:46:52,000 --> 00:46:54,000 YOU CAN'T LAY THERE. 797 00:46:54,000 --> 00:46:57,000 YOU SHOULD RENT A ROOMETTE. 798 00:46:57,000 --> 00:46:58,000 SHE TOLD ME-- 799 00:46:58,000 --> 00:47:00,000 SHE'S JACKIE ONASSIS? 800 00:47:00,000 --> 00:47:02,000 SHE'S NOT RESPONSIBLE. 801 00:47:02,000 --> 00:47:04,000 EASY, MRS. BIDDLECOFF. 802 00:47:04,000 --> 00:47:07,000 MRS. BIDDLECOFF? THE WIFE...WIDOW OF-- 803 00:47:07,000 --> 00:47:09,000 SHE NEVER MENTIONED THAT. 804 00:47:09,000 --> 00:47:12,000 YOU DISCUSSED HIM WITH HER? 805 00:47:12,000 --> 00:47:13,000 I'M NOT SURE. 806 00:47:13,000 --> 00:47:15,000 BECAUSE YOU'RE NOT SURE, 807 00:47:15,000 --> 00:47:18,000 SHE'S HAD THREE PENCILS IN FIVE MINUTES. 808 00:47:18,000 --> 00:47:20,000 WHAT CAN I DO? 809 00:47:20,000 --> 00:47:23,000 GET OUT AND LEAVE US ALONE. 810 00:47:23,000 --> 00:47:25,000 SINCE YOU'RE LAYING THERE, 811 00:47:25,000 --> 00:47:29,000 I'LL GET A PILLOW. 812 00:47:29,000 --> 00:47:32,000 DON'T GET UP UNTIL THEY'RE OUT. 813 00:47:32,000 --> 00:47:33,000 OK, OK. 814 00:47:33,000 --> 00:47:36,000 WHAT'S ALL THIS LANE BIDDLECOFF STUFF? 815 00:47:36,000 --> 00:47:39,000 THERE'S NOBODY'S BODY IN THAT COFFIN. 816 00:47:39,000 --> 00:47:41,000 OR IS THERE? 817 00:47:41,000 --> 00:47:43,000 YOU DIDN'T MURDER GEORGIANA LATIMER, 818 00:47:43,000 --> 00:47:46,000 BUT MAYBE YOU MURDERED SOMEBODY ELSE. 819 00:47:46,000 --> 00:47:49,000 WHEN DID YOU CLEAR ME? 820 00:47:49,000 --> 00:47:51,000 WHEN I SAW HER OUTSIDE. 821 00:47:51,000 --> 00:47:54,000 I DID SEE HER, MICHAEL. 822 00:47:54,000 --> 00:47:56,000 HERE'S YOUR PILLOW. 823 00:47:56,000 --> 00:47:58,000 HE WANTS TO SEE YOU. 824 00:47:58,000 --> 00:47:59,000 WHO? 825 00:47:59,000 --> 00:48:01,000 IN THE BGAGE CAR. 826 00:48:01,000 --> 00:48:03,000 WHO? 827 00:48:03,000 --> 00:48:05,000 DON'T PRESS ME. THE REVEREND. 828 00:48:05,000 --> 00:48:09,000 OH. 829 00:48:09,000 --> 00:48:14,000 TAKE A NAP. 830 00:48:31,000 --> 00:48:36,000 KEEP MOVING, PUNK. 831 00:48:36,000 --> 00:48:38,000 ALONE AT LAST, HUH? 832 00:48:38,000 --> 00:48:41,000 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 833 00:48:41,000 --> 00:48:43,000 SURE YOU DO. 834 00:48:43,000 --> 00:48:44,000 OK, I KNOW. 835 00:48:44,000 --> 00:48:47,000 I WASN'T TRYING TO TAKE IT. 836 00:48:47,000 --> 00:48:49,000 DON'T WASTE YOUR BREATH! 837 00:48:49,000 --> 00:48:53,000 COME ON, COME ON. TAKE IT EASY! 838 00:48:53,000 --> 00:48:55,000 DON'T SHOOT ME, OK? 839 00:48:55,000 --> 00:48:58,000 WHATEVER YOU DO, DON'T SHOOT ME. 840 00:48:58,000 --> 00:49:02,000 I'LL HAVE TO BEAT IT OUT OF YOU. 841 00:49:02,000 --> 00:49:05,000 GOD! 842 00:49:05,000 --> 00:49:07,000 NOW, WHERE'S CENTURY? 843 00:49:07,000 --> 00:49:09,000 TELL ME WHERE HE IS. 844 00:49:09,000 --> 00:49:12,000 NOW! I WANT TO KNOW. 845 00:49:12,000 --> 00:49:13,000 I DON'T-- 846 00:49:13,000 --> 00:49:15,000 TELL ME REAL QUICK. 847 00:49:15,000 --> 00:49:17,000 I DON'T KNOW. 848 00:49:17,000 --> 00:49:19,000 I'LL START GETTING TOUGH. 849 00:49:19,000 --> 00:49:22,000 I DIDN'T TELL HIM NOTHING. 850 00:49:22,000 --> 00:49:23,000 OK. 851 00:49:23,000 --> 00:49:26,000 ♪ OH, HOW MY HEART YEARNS FOR YOU ♪ 852 00:49:26,000 --> 00:49:29,000 ♪ OH, PEGGY, MY PEGGY SUE ♪ 853 00:49:29,000 --> 00:49:34,000 ♪ WELL, I LOVE YOU, GIRL ♪♪ 854 00:50:14,000 --> 00:50:19,000 I THOUGHT I TOLD YOU TO KEEP YOUR NOSE CLEAN. 855 00:50:19,000 --> 00:50:21,000 CENTURY, TELL STANDISH 856 00:50:21,000 --> 00:50:25,000 ABOUT THE TIME YOU FIXED THE RACES. 857 00:50:25,000 --> 00:50:27,000 WE JUST BURNT THE NOSTALGIA 858 00:50:27,000 --> 00:50:29,000 DOWN TO THE GROUND. 859 00:50:29,000 --> 00:50:32,000 I HAVE A NEW BUSINESS. 860 00:50:32,000 --> 00:50:36,000 YOU'RE NOT A PRIEST, ARE YOU? 861 00:50:36,000 --> 00:50:38,000 NOT BLOODY LIKELY. 862 00:50:38,000 --> 00:50:40,000 I NEED A HIGH COLLAR 863 00:50:40,000 --> 00:50:43,000 FOR THE WOUND ON MY NECK. 864 00:50:43,000 --> 00:50:45,000 WHERE'D YOU GET THAT? 865 00:50:45,000 --> 00:50:47,000 BOLIVIA. 866 00:50:47,000 --> 00:50:49,000 A WORD OF ADVICE. 867 00:50:49,000 --> 00:50:51,000 NEVER CROSS 11 JUNTA COLONELS. 868 00:50:51,000 --> 00:50:54,000 FAR FUCKING OUT. 869 00:50:54,000 --> 00:50:56,000 PRECISELY. 870 00:50:56,000 --> 00:50:58,000 NOW, KID, FROM THE BEGINNING. 871 00:50:58,000 --> 00:51:03,000 WELL, I HAD THIS ROLLER SKATING TEAM... 872 00:51:13,000 --> 00:51:15,000 ♪ MERRILY, MERRILY, MERRILY, MERRILY ♪ 873 00:51:15,000 --> 00:51:17,000 ♪ LIFE IS BUT A DREAM ♪ 874 00:51:17,000 --> 00:51:20,000 ♪ ROW, ROW, ROW YOUR BOAT ♪ 875 00:51:20,000 --> 00:51:22,000 ♪ GENTLY DOWN THE STREAM ♪ 876 00:51:22,000 --> 00:51:24,000 ♪ MERRILY, MERRILY, MERRILY, MERRILY ♪ 877 00:51:24,000 --> 00:51:26,000 ♪ LIFE IS BUT A DREAM ♪ 878 00:51:26,000 --> 00:51:29,000 ♪ ROW, ROW, ROW YOUR BOAT ♪ 879 00:51:29,000 --> 00:51:31,000 ♪ GENTLY DOWN THE STREAM ♪ 880 00:51:31,000 --> 00:51:33,000 ♪ MERRILY, MERRILY, MERRILY, MERRILY ♪ 881 00:51:33,000 --> 00:51:38,000 ♪ LIFE IS BUT A DREAM ♪♪ 882 00:51:42,000 --> 00:51:47,000 I KNEW THAT SOLDIER BOY WAS ON THE UP AND UP. 883 00:51:48,000 --> 00:51:51,000 I TRIED TO TELL THAT G-MAN. 884 00:51:51,000 --> 00:51:56,000 TOO BAD THAT COFFIN'S GOT TO GO TO NEW YORK 885 00:51:56,000 --> 00:51:58,000 BEFORE IT GETS TO NEBRASKA. 886 00:51:58,000 --> 00:52:02,000 WISH I COULD DO SOMETHING TO HELP. 887 00:52:02,000 --> 00:52:03,000 BUT WHAT? 888 00:52:03,000 --> 00:52:07,000 LET ME THINK. 889 00:52:07,000 --> 00:52:09,000 GOT IT! 890 00:52:09,000 --> 00:52:12,000 WHO IS IN THE COFFIN? 891 00:52:12,000 --> 00:52:13,000 GOOD QUESTION. 892 00:52:13,000 --> 00:52:15,000 HOW WOULD I KNOW? 893 00:52:15,000 --> 00:52:18,000 I DIDN'T OPEN IT TO FIND OUT. 894 00:52:18,000 --> 00:52:20,000 I SEE. 895 00:52:20,000 --> 00:52:22,000 THAT'S QUITE A STORY. 896 00:52:22,000 --> 00:52:27,000 MIND IF I SLEEP ON IT? 897 00:52:33,000 --> 00:52:38,000 [WHACK] 898 00:52:59,000 --> 00:53:04,000 DENVER! 899 00:53:08,000 --> 00:53:11,000 SORRY YOU DIDN'T GET YOUR MAN. 900 00:53:11,000 --> 00:53:13,000 I'M NOT OFF THE CASE. 901 00:53:13,000 --> 00:53:17,000 IT AIN'T OVER TILL THE FAT LADY SINGS. 902 00:53:17,000 --> 00:53:19,000 WHICH FAT LADY? 903 00:53:19,000 --> 00:53:23,000 BOX UP THEM POOCHIES IF YOU'RE GOING ABOARD. 904 00:53:23,000 --> 00:53:25,000 PILKINGTON AGENCIES. 905 00:53:25,000 --> 00:53:27,000 THEY'RE GUARD DOGS. 906 00:53:27,000 --> 00:53:28,000 OH, YES, PILKINSON'S. 907 00:53:28,000 --> 00:53:31,000 WHERE'S YOUR SHIPMENT? 908 00:53:31,000 --> 00:53:33,000 IN THE ARMORED TRUCK. 909 00:53:33,000 --> 00:53:35,000 I'M CHECKING THIS CAR FIRST. 910 00:53:35,000 --> 00:53:37,000 HELLO. 911 00:53:37,000 --> 00:53:39,000 HE'LL TEAR YOUR ARM OFF. 912 00:53:39,000 --> 00:53:41,000 DOGS DON'T SCARE ME. 913 00:53:41,000 --> 00:53:44,000 I'VE HAD LABRADOR REPEATERS, ENGLISH SETTLERS-- 914 00:53:44,000 --> 00:53:47,000 THEY DIDN'T BITE MY ASS. 915 00:53:47,000 --> 00:53:49,000 STANDISH, MY DEAR, GOOD LUCK. 916 00:53:49,000 --> 00:53:52,000 FROM THE WAY YOU GUYS 917 00:53:52,000 --> 00:53:54,000 BEEN LOOKING AT EACH OTHER, 918 00:53:54,000 --> 00:53:57,000 I HAVE A FEELING 919 00:53:57,000 --> 00:53:59,000 I'LL SEE YOU AGAIN. 920 00:53:59,000 --> 00:54:00,000 BYE. 921 00:54:00,000 --> 00:54:02,000 BYE. 922 00:54:02,000 --> 00:54:04,000 WHAT'S IN HERE? 923 00:54:04,000 --> 00:54:05,000 MY LIFE. 924 00:54:05,000 --> 00:54:07,000 THIS BREAKDOWN MAY BE LONG. 925 00:54:07,000 --> 00:54:10,000 ARE YOU GETTING OFF, SOLDIER? 926 00:54:10,000 --> 00:54:15,000 I'M JUST TAKING STAND-- MISS BIDDLECOFF TO A TAXI. 927 00:54:15,000 --> 00:54:18,000 I GOT TO CALL THE PRESIDENT. 928 00:54:18,000 --> 00:54:20,000 WHO'S HE CALLING? 929 00:54:20,000 --> 00:54:21,000 THE PRESIDENT. 930 00:54:21,000 --> 00:54:24,000 I'LL JUST CALL US A-- 931 00:54:24,000 --> 00:54:28,000 TAXI! 932 00:54:28,000 --> 00:54:33,000 STAY. 933 00:54:41,000 --> 00:54:43,000 THE WORD IS GOOD-BYE, 934 00:54:43,000 --> 00:54:46,000 BUT I JUST CAN'T SAY IT. 935 00:54:46,000 --> 00:54:48,000 FIVE MINUTES FROM NOW, 936 00:54:48,000 --> 00:54:50,000 YOU'LL HIT ON SOMEONE ELSE. 937 00:54:50,000 --> 00:54:55,000 IT'LL BE AT LEAST AN HOUR. 938 00:54:55,000 --> 00:54:57,000 IT'S A JOKE. 939 00:54:57,000 --> 00:54:59,000 I KNOW. 940 00:54:59,000 --> 00:55:01,000 I KNOW. 941 00:55:01,000 --> 00:55:06,000 YOU REALLY LIKE ME. 942 00:55:06,000 --> 00:55:08,000 YEAH. 943 00:55:08,000 --> 00:55:10,000 YOU READY? 944 00:55:10,000 --> 00:55:12,000 TURN ON YOUR METER. 945 00:55:12,000 --> 00:55:17,000 SHUT OFF YOUR MOUTH. 946 00:55:20,000 --> 00:55:22,000 YOU HAVE THE NUMBER. 947 00:55:22,000 --> 00:55:25,000 THAT'S WASHINGTON, D.C., PERSON TO PERSON. 948 00:55:25,000 --> 00:55:27,000 THE NAME? 949 00:55:27,000 --> 00:55:29,000 WELL, I DON'T RIGHTLY RECALL. 950 00:55:29,000 --> 00:55:33,000 HE'S THE PRESIDENT OF THE UNITED STATES. 951 00:55:33,000 --> 00:55:34,000 THAT'S RIGHT. 952 00:55:34,000 --> 00:55:39,000 THANK YOU VERY MUCH. 953 00:55:41,000 --> 00:55:43,000 HELLO, MISS ROSEWOOD? 954 00:55:43,000 --> 00:55:45,000 IS THE PRESIDENT IN? 955 00:55:45,000 --> 00:55:47,000 THIS IS VERNE STAPLETON. 956 00:55:47,000 --> 00:55:49,000 YES, THAT'S RIGHT, 957 00:55:49,000 --> 00:55:53,000 THE OLDEST RAILROAD CONDUCTOR IN THE WORLD. 958 00:55:53,000 --> 00:55:56,000 YEAH, I THOUGHT THAT'D GET TO YOU. 959 00:55:56,000 --> 00:56:00,000 WOULD YOU JUST PUT THE PRESIDENT ON, PLEASE? 960 00:56:00,000 --> 00:56:02,000 HE'S BUSY? WITH WHO? 961 00:56:02,000 --> 00:56:04,000 WALTER GATES? 962 00:56:04,000 --> 00:56:05,000 WATERGATE. 963 00:56:05,000 --> 00:56:07,000 DON'T THINK I KNOW HIM. 964 00:56:07,000 --> 00:56:10,000 ANYWAY, I'M HAVING A LITTLE TROUBLE 965 00:56:10,000 --> 00:56:13,000 WITH THE RAILWAY AGAIN, AND--OH? 966 00:56:13,000 --> 00:56:18,000 MAYBE WALTER CRONKITE WON'T BE SO BUSY. 967 00:56:18,000 --> 00:56:20,000 HELLO THERE, MR. PRESIDENT! 968 00:56:20,000 --> 00:56:24,000 HOW ARE YOU? 969 00:56:24,000 --> 00:56:28,000 AND GET OUT OF THAT ARMY UNIFORM 970 00:56:28,000 --> 00:56:30,000 BEFORE THEY SEND YOU OVERSEAS. 971 00:56:30,000 --> 00:56:33,000 YOU KNOW WHERE TO FIND ME-- 972 00:56:33,000 --> 00:56:36,000 CHOCK FULL 'O NUTS, DENVER, COLORADO. 973 00:56:36,000 --> 00:56:40,000 GOOD-BYE. 974 00:56:40,000 --> 00:56:42,000 UH, LET GO, STANDISH. 975 00:56:42,000 --> 00:56:43,000 LET GO! 976 00:56:43,000 --> 00:56:46,000 YOU SON OF A BITCH! 977 00:56:46,000 --> 00:56:48,000 YOU ALMOST KILLED HIM! 978 00:56:48,000 --> 00:56:51,000 THAT'LL BE FINE, MR. PRESIDENT. 979 00:56:51,000 --> 00:56:53,000 AND WHILE YOU'RE CALLING AMRAIL, 980 00:56:53,000 --> 00:56:57,000 I'LL CALL HIGH RIVER AND THE MAYOR, AND-- 981 00:56:57,000 --> 00:57:00,000 YOU'LL CALL HIM? OH, FINE. 982 00:57:00,000 --> 00:57:03,000 THANK YOU, MR. PRESIDENT. 983 00:57:03,000 --> 00:57:08,000 MY BEST TO MRS. NICKERSON AND TO CHECKERS. 984 00:57:15,000 --> 00:57:17,000 YOU READY NOW? 985 00:57:17,000 --> 00:57:19,000 GO AHEAD. 986 00:57:19,000 --> 00:57:21,000 KING OF SPADES. 987 00:57:21,000 --> 00:57:22,000 KING. 988 00:57:22,000 --> 00:57:25,000 ONE, TWO, THREE. 989 00:57:25,000 --> 00:57:27,000 YOU LOOKED IN THE COFFIN? 990 00:57:27,000 --> 00:57:30,000 I COULDN'T TELL YOU WITH STANDISH HERE. 991 00:57:30,000 --> 00:57:33,000 IF THAT GUY HAD KILLED ME, 992 00:57:33,000 --> 00:57:35,000 HE'D HAVE KILLED HER. 993 00:57:35,000 --> 00:57:37,000 THANKS FOR SAVING ME. 994 00:57:37,000 --> 00:57:39,000 THAT'S ALL RIGHT. 995 00:57:39,000 --> 00:57:40,000 BLACKJACK. 996 00:57:40,000 --> 00:57:42,000 HOW CONVENIENT! 997 00:57:42,000 --> 00:57:43,000 YES. 998 00:57:43,000 --> 00:57:46,000 SO YOU OPENED THE COFFIN, AND? 999 00:57:46,000 --> 00:57:51,000 THERE'S ABOUT $1 MILLION IN THERE. 1000 00:57:53,000 --> 00:57:55,000 $5 MILLION. 1001 00:57:55,000 --> 00:57:56,000 WHAT? 1002 00:57:56,000 --> 00:57:57,000 I COUNTED IT. 1003 00:57:57,000 --> 00:58:01,000 YOU MEAN THERE'S $5 MILLION IN THERE? 1004 00:58:01,000 --> 00:58:03,000 SHH. WHAT YOU GOT? 1005 00:58:03,000 --> 00:58:06,000 NO WONDER HE'S TRYING TO KILL ME. 1006 00:58:06,000 --> 00:58:08,000 HIT ME. 1007 00:58:08,000 --> 00:58:09,000 BLACKJACK. 1008 00:58:09,000 --> 00:58:10,000 USE THAT. 1009 00:58:10,000 --> 00:58:15,000 NO, THANKS. I HAVE ENOUGH. 1010 00:58:24,000 --> 00:58:27,000 SEVEN AYE, TWO NO, ONE ABSTENTION, 1011 00:58:27,000 --> 00:58:30,000 FOLLOWED BY THE USUAL CLOSING PRAYER 1012 00:58:30,000 --> 00:58:32,000 DELIVERED BY THE REVEREND. 1013 00:58:32,000 --> 00:58:34,000 MEETING ADJOURNED BY MAYOR FRIZZOLI. 1014 00:58:34,000 --> 00:58:36,000 END OF MINUTES. 1015 00:58:36,000 --> 00:58:40,000 DO I HEAR A MOTION TO APPROVE? 1016 00:58:40,000 --> 00:58:41,000 MAYOR FRIZZOLI! 1017 00:58:41,000 --> 00:58:43,000 DON'T DO THAT! 1018 00:58:43,000 --> 00:58:47,000 THIS JUST ARRIVED FROM THE WHITE HOUSE! 1019 00:58:47,000 --> 00:58:49,000 THE WHITE HOUSE? 1020 00:58:49,000 --> 00:58:51,000 YES. 1021 00:58:51,000 --> 00:58:55,000 WELL, WHAT, WHAT IS IT? 1022 00:58:55,000 --> 00:58:56,000 JESUS... 1023 00:58:56,000 --> 00:58:57,000 HERBERT... 1024 00:58:57,000 --> 00:58:59,000 CHRIST! 1025 00:58:59,000 --> 00:59:01,000 WHAT'S GOING ON? 1026 00:59:01,000 --> 00:59:03,000 HIS NEPHEW, LANE BILLECOFF, DIED. 1027 00:59:03,000 --> 00:59:08,000 HIS REMAINS ARE BEING SENT HERE TO HIGH RIVER TODAY 1028 00:59:08,000 --> 00:59:11,000 ON THE AMRAIL COAST-TO-COASTER. 1029 00:59:11,000 --> 00:59:14,000 THAT TRAIN DOESN'T COME HERE. 1030 00:59:14,000 --> 00:59:16,000 IT DOES TODAY, 1031 00:59:16,000 --> 00:59:19,000 BY SPECIAL ORDER OF THE PRESIDENT. 1032 00:59:19,000 --> 00:59:23,000 THEY STOLE THE MONEY FROM GEORGIANA LATIMER'S FATHER. 1033 00:59:23,000 --> 00:59:25,000 STANDISH DID SEE HER. 1034 00:59:25,000 --> 00:59:26,000 PROBABLY. 1035 00:59:26,000 --> 00:59:28,000 WHY WOULD LATIMER SAY 1036 00:59:28,000 --> 00:59:31,000 THERE WAS ONLY $100,000 MISSING? 1037 00:59:31,000 --> 00:59:35,000 HE WAS TRYING TO HIDE IT, THAT'S WHY. 1038 00:59:35,000 --> 00:59:36,000 FROM WHO? 1039 00:59:36,000 --> 00:59:40,000 WHO WE ALL HIDE MONEY FROM--THE I.R.S. 1040 00:59:40,000 --> 00:59:43,000 OH. 1041 00:59:43,000 --> 00:59:45,000 WHAT WILL WE DO? 1042 00:59:45,000 --> 00:59:47,000 FINDERS KEEPERS, KID. 1043 00:59:47,000 --> 00:59:49,000 YOU MEAN STEAL IT? 1044 00:59:49,000 --> 00:59:50,000 LATIMER ALREADY DID. 1045 00:59:50,000 --> 00:59:53,000 YOU CAN'T STEAL THE SAME MONEY 1046 00:59:53,000 --> 00:59:55,000 FROM THE GOVERNMENT TWICE. 1047 00:59:55,000 --> 00:59:57,000 THAT'S DOUBLE JEOPARDY. 1048 00:59:57,000 --> 01:00:00,000 WAIT A MINUTE. ROBBERY IS ROBBERY. 1049 01:00:00,000 --> 01:00:03,000 SHUT UP, MICHAEL, YOU UNGRATEFUL ASSHOLE. 1050 01:00:03,000 --> 01:00:06,000 STANDISH! WE JUST SAID GOOD-BYE. 1051 01:00:06,000 --> 01:00:09,000 I ALMOST GOT KILLED IN THE PROCESS. 1052 01:00:09,000 --> 01:00:14,000 CENTURY JUST SAVED YOUR LIFE. 1053 01:00:14,000 --> 01:00:16,000 WHAT ARE YOU DOING? 1054 01:00:16,000 --> 01:00:21,000 WE NEED SOMETHING TO PUT THE MONEY IN. 1055 01:00:34,000 --> 01:00:39,000 [DOG BARKS] 1056 01:01:07,000 --> 01:01:10,000 ANNA-MARIE. 1057 01:01:10,000 --> 01:01:12,000 ANNA-MARIE! 1058 01:01:12,000 --> 01:01:17,000 HMM? 1059 01:01:17,000 --> 01:01:19,000 ANNA-MARIE! 1060 01:01:19,000 --> 01:01:20,000 WHAT? 1061 01:01:20,000 --> 01:01:22,000 WHERE ARE YOU? 1062 01:01:22,000 --> 01:01:24,000 WHAT IS IT, MARIO? 1063 01:01:24,000 --> 01:01:26,000 WHERE THE HELL IS HE? 1064 01:01:26,000 --> 01:01:28,000 HE'S HELPING ME. 1065 01:01:28,000 --> 01:01:31,000 I DO ALL THE WORK 1066 01:01:31,000 --> 01:01:34,000 SINCE YOU MADE ME FIRE EVERYBODY. 1067 01:01:34,000 --> 01:01:36,000 I HAD TO FIRE EVERYBODY 1068 01:01:36,000 --> 01:01:40,000 SO THEY WOULDN'T KNOW HE WAS HERE. 1069 01:01:40,000 --> 01:01:42,000 HELLO, UNCLE MARIO. 1070 01:01:42,000 --> 01:01:43,000 SHUT UP. 1071 01:01:43,000 --> 01:01:46,000 THERE'S A TRAIN ARRIVING HERE 1072 01:01:46,000 --> 01:01:48,000 IN A FEW HOURS. 1073 01:01:48,000 --> 01:01:51,000 ON IT IS LANE BIDDLECOFF'S BODY. 1074 01:01:51,000 --> 01:01:53,000 BUT I'M LANE BIDDLECOFF. 1075 01:01:53,000 --> 01:01:55,000 WHAT'S GOING ON? 1076 01:01:55,000 --> 01:01:59,000 YOUR SON IS NO LONGER A LIVING DESERTER. 1077 01:01:59,000 --> 01:02:01,000 NOW HE'S A DEAD HERO. 1078 01:02:01,000 --> 01:02:06,000 THERE MUST BE SOME MISTAKE. 1079 01:02:06,000 --> 01:02:08,000 OF COURSE IT'S A MISTAKE! 1080 01:02:08,000 --> 01:02:10,000 BUT ONLY WE KNOW. 1081 01:02:10,000 --> 01:02:14,000 WHEN THE STIFF ARRIVES, WE HAVE A PARADE. 1082 01:02:14,000 --> 01:02:16,000 IT GOES IN THE GROUND. 1083 01:02:16,000 --> 01:02:18,000 WE STICK THIS MORON 1084 01:02:18,000 --> 01:02:21,000 ON A BANANA BOAT FOR VENEZUELA. 1085 01:02:21,000 --> 01:02:24,000 HOW COME I'M GOING TO VENEZUELA? 1086 01:02:24,000 --> 01:02:26,000 BECAUSE YOU WEREN'T KILLED! 1087 01:02:26,000 --> 01:02:28,000 THAT IS YOUR NEPHEW! 1088 01:02:28,000 --> 01:02:31,000 I DON'T WANT TO GO TO VENEZUELA. 1089 01:02:31,000 --> 01:02:35,000 YOU SHOULD'VE CONSIDERED THAT WHEN YOU DESERTED. 1090 01:02:35,000 --> 01:02:38,000 YOU SHOULD'VE KEPT ME FROM THE DRAFT. 1091 01:02:38,000 --> 01:02:42,000 YOU ENLISTED! 1092 01:02:42,000 --> 01:02:44,000 OH, YEAH. THAT'S RIGHT. 1093 01:02:44,000 --> 01:02:46,000 JESUS! WHAT A NITWIT! 1094 01:02:46,000 --> 01:02:48,000 KEEP HIM IN THAT HOUSE 1095 01:02:48,000 --> 01:02:53,000 UNTIL I CAN SNEAK HIM OUT OF TOWN! 1096 01:03:03,000 --> 01:03:06,000 ♪ SO YOU THINK YOU'RE A ROMEO ♪ 1097 01:03:06,000 --> 01:03:08,000 ♪ PLAYING A PART IN A PICTURE SHOW ♪ 1098 01:03:08,000 --> 01:03:12,000 ♪ WELL, TAKE THE LONG WAY HOME ♪ 1099 01:03:12,000 --> 01:03:16,000 ♪ TAKE THE LONG WAY HOME ♪ 1100 01:03:16,000 --> 01:03:19,000 ♪ IF YOU'RE THE JOKE OF THE NEIGHBORHOOD ♪ 1101 01:03:19,000 --> 01:03:21,000 ♪ WHY SHOULD SHE CARE IF YOU'RE FEELING GOOD ♪ 1102 01:03:21,000 --> 01:03:25,000 WELL, TAKE ♪ THE LONG WAY HOME ♪♪ 1103 01:03:25,000 --> 01:03:28,000 YOU CAN GO TO THE BAGGAGE CAR. 1104 01:03:28,000 --> 01:03:30,000 THEM DOBERMANS ARE TIED UP. 1105 01:03:30,000 --> 01:03:32,000 ARE WE NEARING OMAHA? 1106 01:03:32,000 --> 01:03:34,000 NO, HIGH RIVER. 1107 01:03:34,000 --> 01:03:36,000 YOU SAID THAT, RIGHT? 1108 01:03:36,000 --> 01:03:39,000 THAT'S WHAT I TOLD HIM. 1109 01:03:39,000 --> 01:03:41,000 WHAT WAS THAT ABOUT? 1110 01:03:41,000 --> 01:03:43,000 HE THINKS HE HAD NIXON 1111 01:03:43,000 --> 01:03:45,000 REROUTE US TO NEBRASKA. 1112 01:03:45,000 --> 01:03:49,000 [HUMMING THEME FROM TWILIGHT ZONE] 1113 01:03:49,000 --> 01:03:52,000 PEOPLE, LINE UP THIS INSTANT. 1114 01:03:52,000 --> 01:03:56,000 ALONG HERE, DO YOU HEAR ME? 1115 01:03:56,000 --> 01:03:58,000 OH, KIDS. 1116 01:03:58,000 --> 01:04:01,000 THEY W0NDER WHY I'M NOT MARRIED. 1117 01:04:01,000 --> 01:04:03,000 NO, THEY DON'T. 1118 01:04:03,000 --> 01:04:05,000 HERE COMES THE MAYOR. 1119 01:04:05,000 --> 01:04:07,000 IT'S WILT CHAMBERLAIN IN DRAG. 1120 01:04:07,000 --> 01:04:09,000 WE ALL SET? 1121 01:04:09,000 --> 01:04:11,000 AS WE'LL EVER BE. 1122 01:04:11,000 --> 01:04:13,000 YOU LOOK LOVELY, ISADORA. 1123 01:04:13,000 --> 01:04:15,000 CUT THE CRAP. 1124 01:04:15,000 --> 01:04:16,000 MAYOR FRIZZOLI? 1125 01:04:16,000 --> 01:04:18,000 NADINE GARDNER, UBS, OMAHA. 1126 01:04:18,000 --> 01:04:21,000 YOU COVERING THIS ON TELEVISION? 1127 01:04:21,000 --> 01:04:22,000 CERTAINLY. 1128 01:04:22,000 --> 01:04:23,000 I WAS WONDERING, 1129 01:04:23,000 --> 01:04:26,000 WHERE IS LANE BIDDLECOFF'S MOTHER? 1130 01:04:26,000 --> 01:04:28,000 SHE WON'T ATTEND THE FUNERAL. 1131 01:04:28,000 --> 01:04:30,000 SHE'S OVERCOME WITH GRIEF. 1132 01:04:30,000 --> 01:04:35,000 I SEE. 1133 01:04:48,000 --> 01:04:53,000 HIGH RIVER, NEBRASKA! 1134 01:05:01,000 --> 01:05:02,000 HE DID IT. 1135 01:05:02,000 --> 01:05:07,000 TWO, THREE. 1136 01:05:08,000 --> 01:05:11,000 WE'RE IN SOME WAR MOVIE. 1137 01:05:11,000 --> 01:05:13,000 LOOK, WHAT'S HE PLAYING? 1138 01:05:13,000 --> 01:05:16,000 MAD ABOUT THE BOY. WHAT ELSE? 1139 01:05:16,000 --> 01:05:21,000 I WILL DO THE TALKING. 1140 01:05:23,000 --> 01:05:25,000 WELCOME TO HIGH RIVER, NEBRASKA, 1141 01:05:25,000 --> 01:05:28,000 ON THIS SAD BUT TRIUMPHANT OCCASION. 1142 01:05:28,000 --> 01:05:31,000 WORDS CANNOT CONVEY OUR FEELINGS, 1143 01:05:31,000 --> 01:05:33,000 SO THERE WON'T BE ANY. 1144 01:05:33,000 --> 01:05:35,000 OK, GET IT OUT. 1145 01:05:35,000 --> 01:05:37,000 EXCUSE ME. 1146 01:05:37,000 --> 01:05:39,000 EXCUSE ME. YOUR HONOR? 1147 01:05:39,000 --> 01:05:42,000 IT IS YOUR HONOR, ISN'T IT? 1148 01:05:42,000 --> 01:05:44,000 YEAH. MAYOR FRIZZOLI. 1149 01:05:44,000 --> 01:05:46,000 ALLOW US TO INTRODUCE OURSELVES. 1150 01:05:46,000 --> 01:05:48,000 THIS IS SERGEANT RANGELOFF, 1151 01:05:48,000 --> 01:05:50,000 SPECIAL GRAVES DETAIL, 1152 01:05:50,000 --> 01:05:54,000 AND I AM THE... 1153 01:05:54,000 --> 01:05:58,000 THE REVEREND BASSINET. 1154 01:05:58,000 --> 01:06:01,000 WALKER BASSINET, MAJOR, U.S. ARMY, RETIRED. 1155 01:06:01,000 --> 01:06:03,000 I WAS LANE'S CHAPLAIN. 1156 01:06:03,000 --> 01:06:05,000 I'M ISADORA FRIZZOLI. 1157 01:06:05,000 --> 01:06:09,000 I HAVE A POEM FOR MY COUSIN LANE. 1158 01:06:09,000 --> 01:06:13,000 SHE WROTE IT HERSELF. 1159 01:06:13,000 --> 01:06:15,000 A LILY FOR LANE BIDDLECOFF 1160 01:06:15,000 --> 01:06:18,000 I LAY UPON HIS COFFIN, 1161 01:06:18,000 --> 01:06:21,000 AND WHEN HE'S UNDERNEATH THE GROUND, 1162 01:06:21,000 --> 01:06:26,000 I'LL COME AND SEE HIM OFTEN. 1163 01:06:27,000 --> 01:06:29,000 OK, LET'S GO. 1164 01:06:29,000 --> 01:06:33,000 OH, ONE MOMENT, PLEASE. 1165 01:06:33,000 --> 01:06:38,000 IN YOUR GRIEF, YOU'VE OVERLOOKED SOMEONE. 1166 01:06:39,000 --> 01:06:44,000 I AM MRS. LANE BIDDLEHOFF. 1167 01:06:45,000 --> 01:06:47,000 COFF. COFF. 1168 01:06:47,000 --> 01:06:48,000 [COUGHS] 1169 01:06:48,000 --> 01:06:51,000 WE WERE MARRIED 1170 01:06:51,000 --> 01:06:55,000 BEFORE HE WENT OVERSEAS. 1171 01:06:55,000 --> 01:06:58,000 YOU'LL NOTICE I'M NOT DRESSED IN MOURNING. 1172 01:06:58,000 --> 01:07:03,000 IF YOU WERE AS CLOSE TO LANE AS I WAS, 1173 01:07:03,000 --> 01:07:08,000 YOU'D KNOW HE'D HAVE WANTED IT LIKE THIS. 1174 01:07:08,000 --> 01:07:10,000 PLAY, PLAY, PLAY! 1175 01:07:10,000 --> 01:07:15,000 MARCH. TWO, ONE, TWO! 1176 01:07:16,000 --> 01:07:18,000 [TWEET] 1177 01:07:18,000 --> 01:07:23,000 LET'S GO, PLEASE. LET'S GO. 1178 01:07:27,000 --> 01:07:29,000 NOW, COOLIDGE HAD A DOG. 1179 01:07:29,000 --> 01:07:32,000 HE WAS A FARM BOY. 1180 01:07:32,000 --> 01:07:35,000 HE WAS PARTIAL TO COLLIE DOGS. 1181 01:07:35,000 --> 01:07:37,000 THEN THERE WAS ROOSEVELT. 1182 01:07:37,000 --> 01:07:40,000 HE HAD A LITTLE BLACK DOG 1183 01:07:40,000 --> 01:07:45,000 BY THE NAME OF FALA. 1184 01:07:57,000 --> 01:08:02,000 LANE'S MOTHER NEVER TOLD US HE GOT MARRIED. 1185 01:08:03,000 --> 01:08:05,000 WHERE IS HIS MOTHER? 1186 01:08:05,000 --> 01:08:07,000 SHE'S AT HOME. 1187 01:08:07,000 --> 01:08:09,000 SHE'S PROSTATE WITH GRIEF. 1188 01:08:09,000 --> 01:08:11,000 PROSTRATE. 1189 01:08:11,000 --> 01:08:15,000 Y'ALL, I BELIEVE WE'RE PASSING THE FUNERAL PARLOR. 1190 01:08:15,000 --> 01:08:17,000 THAT'S RIGHT. 1191 01:08:17,000 --> 01:08:20,000 WE'RE GOING RIGHT TO THE CEMETERY. 1192 01:08:20,000 --> 01:08:21,000 HEY, LOOK OUT! 1193 01:08:21,000 --> 01:08:26,000 I WISH YOU WOULDN'T KEEP DOING THAT. 1194 01:08:32,000 --> 01:08:37,000 [DOG BARKS] 1195 01:08:58,000 --> 01:09:00,000 [WHISTLES] 1196 01:09:00,000 --> 01:09:03,000 CAN YOU GIVE ME A LIFT? 1197 01:09:03,000 --> 01:09:08,000 MY CAR JUST BROKE DOWN. 1198 01:09:17,000 --> 01:09:19,000 ALL RIGHT, THAT'S IT. 1199 01:09:19,000 --> 01:09:24,000 I'D LIKE TO THANK YOU FOR BRINGING MY NEPHEW HOME. 1200 01:09:24,000 --> 01:09:28,000 YOU KNOW, IF YOU'RE EVER IN THE AREA... 1201 01:09:28,000 --> 01:09:30,000 WHEN ARE YOU LEAVING? 1202 01:09:30,000 --> 01:09:32,000 TOMORROW MORNING. 1203 01:09:32,000 --> 01:09:35,000 STAY IN THE GATEWAY HOTEL TONIGHT. 1204 01:09:35,000 --> 01:09:38,000 THE OTHER PLACE IS A RAT HOLE. 1205 01:09:38,000 --> 01:09:43,000 I'LL TELL MY SISTER YOU DROPPED BY, MRS. BIDDLECOFF. 1206 01:09:46,000 --> 01:09:47,000 WHO'S HIS SISTER? 1207 01:09:47,000 --> 01:09:50,000 LANE'S MAMA, THE PROSTATE WOMAN. 1208 01:09:50,000 --> 01:09:53,000 YOU HAD TO BE LANE'S WIFE? 1209 01:09:53,000 --> 01:09:56,000 YOU GUYS TOOK ALL THE GOOD PARTS. 1210 01:09:56,000 --> 01:10:00,000 $5 MILLION DIVIDED BY 6 FEET. 1211 01:10:00,000 --> 01:10:02,000 FORGET IT! 1212 01:10:02,000 --> 01:10:05,000 THAT'S $833,000 A FOOT. 1213 01:10:05,000 --> 01:10:08,000 I CAN'T FORGET IT. 1214 01:10:08,000 --> 01:10:11,000 ANNA-MARIE! 1215 01:10:11,000 --> 01:10:13,000 MMM! 1216 01:10:13,000 --> 01:10:17,000 WHY DIDN'T YOU TELL ME HE WAS MARRIED? 1217 01:10:17,000 --> 01:10:18,000 HE'S NOT. 1218 01:10:18,000 --> 01:10:22,000 HIS WIFE WAS AT THE FUNERAL! 1219 01:10:22,000 --> 01:10:24,000 HI, UNCLE MARIO. 1220 01:10:24,000 --> 01:10:28,000 WHY DIDN'T YOU TELL ME YOU WERE MARRIED? 1221 01:10:28,000 --> 01:10:30,000 I'M NOT. 1222 01:10:30,000 --> 01:10:33,000 YOUR WIFE WAS AT YOUR FUNERAL! 1223 01:10:33,000 --> 01:10:34,000 WHAT'S HER NAME? 1224 01:10:34,000 --> 01:10:37,000 I DON'T KNOW. YOU TELL ME. 1225 01:10:37,000 --> 01:10:41,000 I COULD HAVE BEEN DRUNK OR SOMETHING. 1226 01:10:41,000 --> 01:10:43,000 I'LL GO LOOK AT HER. 1227 01:10:43,000 --> 01:10:46,000 NO! SHE'S LEAVING TOMORROW MORNING. 1228 01:10:46,000 --> 01:10:48,000 YOU'RE LEAVING TOMORROW AFTERNOON. 1229 01:10:48,000 --> 01:10:53,000 COUNT ON IT! 1230 01:10:57,000 --> 01:10:59,000 HERE'S THE SETUP. 1231 01:10:59,000 --> 01:11:03,000 ONCE THE SIDEWALKS HAVE ROLLED UP TONIGHT, 1232 01:11:03,000 --> 01:11:07,000 MICHAEL AND I WILL DIG UP THE MONEY. 1233 01:11:07,000 --> 01:11:08,000 STANDISH STAYS HERE. 1234 01:11:08,000 --> 01:11:13,000 WHAT IF THE PHONE RINGS? 1235 01:11:14,000 --> 01:11:16,000 THIS IS REVEREND BASSINET 1236 01:11:16,000 --> 01:11:18,000 IN THE, UH... PRESIDENTIAL SUITE. 1237 01:11:18,000 --> 01:11:23,000 PLEASE SEE THAT THE WIDOW BIDDLECOFF IS NOT DISTURBED. 1238 01:11:23,000 --> 01:11:25,000 AND HOLD ALL CALLS. 1239 01:11:25,000 --> 01:11:26,000 PLEASE. 1240 01:11:26,000 --> 01:11:30,000 THANK YOU. 1241 01:11:30,000 --> 01:11:33,000 I'M OFF TO FILCH SOME SHOVELS 1242 01:11:33,000 --> 01:11:37,000 AND STASH THEM NEAR THE DIGS. 1243 01:11:37,000 --> 01:11:42,000 HOW LONG WILL YOU BE GONE? 1244 01:11:43,000 --> 01:11:48,000 LONG ENOUGH. 1245 01:11:49,000 --> 01:11:51,000 LONG ENOUGH FOR WHAT? 1246 01:11:51,000 --> 01:11:53,000 COME ON, MICHAEL. 1247 01:11:53,000 --> 01:11:55,000 REALLY? NOW? 1248 01:11:55,000 --> 01:11:56,000 I'M TOO TENSE. 1249 01:11:56,000 --> 01:12:01,000 THAT'S THE POINT. 1250 01:12:05,000 --> 01:12:10,000 MICHAEL. 1251 01:12:14,000 --> 01:12:16,000 KISSINGER LEFT FOR PARIS? 1252 01:12:16,000 --> 01:12:19,000 CRONKITE'S SUPPOSED TO INTERVIEW HIM TONIGHT. 1253 01:12:19,000 --> 01:12:21,000 DON'T APOLOGIZE TO ME. 1254 01:12:21,000 --> 01:12:24,000 HAVE HENRY APOLOGIZE TO WALTER. 1255 01:12:24,000 --> 01:12:25,000 YEAH. BYE. 1256 01:12:25,000 --> 01:12:28,000 I NEED ■ FILLER FOR TONIGHT. 1257 01:12:28,000 --> 01:12:32,000 THERE'S A HUMAN INTEREST ITEM FROM OMAHA. 1258 01:12:32,000 --> 01:12:33,000 DEAD WAR HERO-- 1259 01:12:33,000 --> 01:12:38,000 CHOP IT TO TWO MINUTES FOR TONIGHT. 1260 01:12:38,000 --> 01:12:40,000 MICHAEL. 1261 01:12:40,000 --> 01:12:42,000 YEAH? 1262 01:12:42,000 --> 01:12:47,000 I KNOW YOU'RE AN ASSHOLE AND ALL. 1263 01:12:48,000 --> 01:12:52,000 BUT I THINK I LOVE YOU. 1264 01:12:52,000 --> 01:12:55,000 WELL. 1265 01:12:55,000 --> 01:12:57,000 I LOVE YOU. 1266 01:12:57,000 --> 01:12:59,000 AND LOOK AT YOU-- 1267 01:12:59,000 --> 01:13:04,000 THE MIND OF A MANIAC, THE MOUTH OF A LONGSHOREMAN. 1268 01:13:04,000 --> 01:13:06,000 DO YOU? 1269 01:13:06,000 --> 01:13:07,000 YOU REALLY DO? 1270 01:13:07,000 --> 01:13:12,000 OF COURSE I DO. 1271 01:13:15,000 --> 01:13:20,000 BE QUIET. I'M THINKING. 1272 01:13:21,000 --> 01:13:26,000 WHAT ARE YOU THINKING? 1273 01:13:26,000 --> 01:13:29,000 I'M THINKING ABOUT WHAT'S GOING TO HAPPEN 1274 01:13:29,000 --> 01:13:34,000 WHEN THAT COFFIN DOESN'T ARRIVE IN NEW YORK. 1275 01:13:41,000 --> 01:13:42,000 HOW LATE? 1276 01:13:42,000 --> 01:13:44,000 A COUPLE OF HOURS. 1277 01:13:44,000 --> 01:13:47,000 IT'S BEEN REROUTED THROUGH NEBRASKA. 1278 01:13:47,000 --> 01:13:49,000 SAY, YOU LOOK FAMILIAR. 1279 01:13:49,000 --> 01:13:52,000 ARE YOU AN ACTRESS? 1280 01:13:52,000 --> 01:13:54,000 [TELEPHONE RINGS] 1281 01:13:54,000 --> 01:13:56,000 AMRAIL. 1282 01:13:56,000 --> 01:13:58,000 OH, CHRIST! 1283 01:13:58,000 --> 01:14:00,000 HEY! HEY! 1284 01:14:00,000 --> 01:14:01,000 DAMN IT. 1285 01:14:01,000 --> 01:14:06,000 I'LL CALL YOU BACK. 1286 01:14:11,000 --> 01:14:13,000 I'M GETTING ME SOME COFFEE. 1287 01:14:13,000 --> 01:14:16,000 WHAT ARE YOU STOPPING FOR? 1288 01:14:16,000 --> 01:14:18,000 I CAN DRIVE. 1289 01:14:18,000 --> 01:14:21,000 NOBODY TOUCHES THIS WHEEL BUT WATSY KLINKOWITZ. 1290 01:14:21,000 --> 01:14:23,000 WHO'S HE? 1291 01:14:23,000 --> 01:14:25,000 WELCOME TO HIGH RIVER, NEBRASKA, 1292 01:14:25,000 --> 01:14:28,000 ON THIS SAD BUT TRIUMPHANT OCCASION. 1293 01:14:28,000 --> 01:14:31,000 WORDS CANNOT BEGIN TO CONVEY 1294 01:14:31,000 --> 01:14:33,000 OUR FEELINGS AT THIS MOMENT, 1295 01:14:33,000 --> 01:14:36,000 SO THERE WON'T BE ANY. 1296 01:14:36,000 --> 01:14:41,000 GET IT OUT OF THERE. 1297 01:14:44,000 --> 01:14:46,000 EXCUSE ME. EXCUSE ME.■ 1298 01:14:46,000 --> 01:14:48,000 YOUR HONOR. 1299 01:14:48,000 --> 01:14:51,000 IT IS YOUR HONOR. 1300 01:14:51,000 --> 01:14:52,000 MAYOR FRIZZOLI. 1301 01:14:52,000 --> 01:14:55,000 ALLOW US TO INTRODUCE OURSELVES. 1302 01:14:55,000 --> 01:14:57,000 THIS IS SERGEANT RANGELOFF, 1303 01:14:57,000 --> 01:14:59,000 SPECIAL GRAVES DETAIL. 1304 01:14:59,000 --> 01:15:02,000 AND I AM THE, UH... 1305 01:15:02,000 --> 01:15:05,000 THE REVEREND BASSINET, 1306 01:15:05,000 --> 01:15:10,000 WALKER BASSINET, MAJOR, U.S. ARMY. 1307 01:15:14,000 --> 01:15:17,000 CONTINUING OUR NIGHT OWLS' NEWS UPDATES. 1308 01:15:17,000 --> 01:15:21,000 HERE'S NADINE GARDNER IN HIGH RIVER, NEBRASKA. 1309 01:15:21,000 --> 01:15:24,000 OH, MY GOD! THIS IS ME! 1310 01:15:24,000 --> 01:15:27,000 I SHOULD HAVE CALLED MY AGENT. 1311 01:15:27,000 --> 01:15:30,000 WHY DOES THIS HAPPEN TO ME-- 1312 01:15:30,000 --> 01:15:31,000 OH, MY GOD! 1313 01:15:31,000 --> 01:15:33,000 MY TEETH! 1314 01:15:33,000 --> 01:15:35,000 [KNOCK ON DOOR] 1315 01:15:35,000 --> 01:15:40,000 SOME OF YOU MAY WONDER WHY I'M NOT DRESSED IN... 1316 01:15:40,000 --> 01:15:42,000 WHAT IS IT? 1317 01:15:42,000 --> 01:15:44,000 FLOWERS FOR MRS. BIDDLEHOFF. 1318 01:15:44,000 --> 01:15:47,000 COFF. 1319 01:15:47,000 --> 01:15:52,000 MICHAEL, MICHAEL, MY DARLING. 1320 01:15:59,000 --> 01:16:03,000 SHE WAS IN HERE SITTING OVER THERE? 1321 01:16:03,000 --> 01:16:04,000 YES. 1322 01:16:04,000 --> 01:16:05,000 WATCHING TV? 1323 01:16:05,000 --> 01:16:08,000 YES. THEN SHE SUDDENLY LEFT. 1324 01:16:08,000 --> 01:16:09,000 WHAT SHOW? 1325 01:16:09,000 --> 01:16:11,000 THE 10:00 NEWS. 1326 01:16:11,000 --> 01:16:13,000 WHAT'S OUT THAT DOOR? 1327 01:16:13,000 --> 01:16:14,000 THE STREET. 1328 01:16:14,000 --> 01:16:19,000 GOOD. 1329 01:16:21,000 --> 01:16:26,000 THIS WILL TAKE ALL NIGHT. 1330 01:16:26,000 --> 01:16:27,000 AHHHH! 1331 01:16:27,000 --> 01:16:29,000 WHAT'S THAT? 1332 01:16:29,000 --> 01:16:31,000 NOTHING. SAVE YOUR BREATH, KID. 1333 01:16:31,000 --> 01:16:33,000 DIG. 1334 01:16:33,000 --> 01:16:38,000 COME ON. 1335 01:16:51,000 --> 01:16:56,000 GET OUT. 1336 01:16:56,000 --> 01:16:57,000 MOVE! 1337 01:16:57,000 --> 01:16:59,000 NICE PLACE YOU GOT HERE. 1338 01:16:59,000 --> 01:17:01,000 T■IS PLACE IS DESERTED. 1339 01:17:01,000 --> 01:17:05,000 WE'LL SIT AND WAIT FOR YOUR BOYFRIEND 1340 01:17:05,000 --> 01:17:07,000 TO BRING BACK MY MONEY. 1341 01:17:07,000 --> 01:17:12,000 COME ON. GET INSIDE. 1342 01:17:20,000 --> 01:17:22,000 THAT'S IT, GRAVE ROBBER! 1343 01:17:22,000 --> 01:17:26,000 GOOD! 1344 01:17:26,000 --> 01:17:28,000 OK. 1345 01:17:28,000 --> 01:17:30,000 LET'S FILL THE HOLE. 1346 01:17:30,000 --> 01:17:31,000 DIG. 1347 01:17:31,000 --> 01:17:33,000 [CAT MEOWS] 1348 01:17:33,000 --> 01:17:35,000 AHHH! WHAT'S THAT? 1349 01:17:35,000 --> 01:17:39,000 I DON'T KNOW, BUT THEY'RE COMING THIS WAY. 1350 01:17:39,000 --> 01:17:41,000 MICHAEL! 1351 01:17:41,000 --> 01:17:46,000 MIKE...MICHAEL! 1352 01:17:48,000 --> 01:17:50,000 HE'S GONE! 1353 01:17:50,000 --> 01:17:51,000 HI, ISADORA! 1354 01:17:51,000 --> 01:17:54,000 COUSIN LANE! 1355 01:17:54,000 --> 01:17:56,000 YOU'VE RISEN? 1356 01:17:56,000 --> 01:17:57,000 HUH? 1357 01:17:57,000 --> 01:17:58,000 AHHH! 1358 01:17:58,000 --> 01:18:00,000 HE IS RISEN! 1359 01:18:00,000 --> 01:18:02,000 HE IS RISEN! 1360 01:18:02,000 --> 01:18:04,000 WAIT! IZZY! 1361 01:18:04,000 --> 01:18:09,000 I GOT TO TALK TO YOUR FATHER. 1362 01:18:10,000 --> 01:18:12,000 I KNEW IT. 1363 01:18:12,000 --> 01:18:14,000 I KNEW THIS WOULD HAPPEN. 1364 01:18:14,000 --> 01:18:16,000 YOU CAN RETIRE. 1365 01:18:16,000 --> 01:18:19,000 WE'LL ALL RETIRE TO SING SING. 1366 01:18:19,000 --> 01:18:22,000 CALM DOWN. NOTHING'S HAPPENED YET. 1367 01:18:22,000 --> 01:18:27,000 IT'S GOING TO HAPPEN. 1368 01:18:29,000 --> 01:18:31,000 JUST GET ON THE LADDER. 1369 01:18:31,000 --> 01:18:33,000 HERE, GIVE ME THAT. 1370 01:18:33,000 --> 01:18:35,000 OW! GRAB IT. 1371 01:18:35,000 --> 01:18:40,000 THAT DOESN'T MEAN NOTHING WILL HAPPEN. 1372 01:18:40,000 --> 01:18:43,000 STANDISH! STANDISH! 1373 01:18:43,000 --> 01:18:48,000 OH, GOD. 1374 01:18:59,000 --> 01:19:02,000 SEE YOURSELF ON TV LAST NIGHT? 1375 01:19:02,000 --> 01:19:05,000 HAVE YOU SEEN MRS. BIDDLEHOFF--COFF? 1376 01:19:05,000 --> 01:19:08,000 NO. SHE'S INDISPOSED. IS ANYTHING WRONG? 1377 01:19:08,000 --> 01:19:12,000 NO...NO. 1378 01:19:12,000 --> 01:19:14,000 A WHITE HOUSE SPOKESMAN, 1379 01:19:14,000 --> 01:19:17,000 RESPONDING TO QUESTIONS ABOUT PRESIDENT NIXON'S 1380 01:19:17,000 --> 01:19:19,000 PUBLIC BLOWUP AT... 1381 01:19:19,000 --> 01:19:21,000 DADDY! DADDY! 1382 01:19:21,000 --> 01:19:22,000 WHAT? 1383 01:19:22,000 --> 01:19:24,000 HE IS RISEN! 1384 01:19:24,000 --> 01:19:27,000 COUSIN LANE IS RISEN FROM THE DEAD. 1385 01:19:27,000 --> 01:19:30,000 I SAW HIM IN THE CEMETERY. 1386 01:19:30,000 --> 01:19:32,000 THE BOX WAS EMPTY. 1387 01:19:32,000 --> 01:19:34,000 WHAT BOX? 1388 01:19:34,000 --> 01:19:37,000 THE COFFIN. HE'S OUT OF IT. 1389 01:19:37,000 --> 01:19:39,000 SO ARE YOU, ISADORA. 1390 01:19:39,000 --> 01:19:42,000 TAKE ONE OF YOUR ANTICRAZY PILLS 1391 01:19:42,000 --> 01:19:44,000 AND LEAVE YOUR FATHER ALONE. 1392 01:19:44,000 --> 01:19:47,000 BUT IT'S TRUE. 1393 01:19:47,000 --> 01:19:48,000 LOOK. 1394 01:19:48,000 --> 01:19:52,000 THERE HE IS. 1395 01:19:52,000 --> 01:19:53,000 UNCLE MARIO, 1396 01:19:53,000 --> 01:19:58,000 HAVE I GOT SOMETHING TO TELL YOU. 1397 01:19:58,000 --> 01:20:01,000 SHE'S NOT HERE! SHE'S NOT ANYWHERE! 1398 01:20:01,000 --> 01:20:06,000 I'M CALLING THE POLICE. 1399 01:20:06,000 --> 01:20:08,000 "IF YOU WANT HER BACK ALIVE!" 1400 01:20:08,000 --> 01:20:10,000 OH, MY GOD! 1401 01:20:10,000 --> 01:20:13,000 THE ADDRESS WHERE HE'S HOLDING HER 1402 01:20:13,000 --> 01:20:15,000 IS ON THE OTHER SIDE. 1403 01:20:15,000 --> 01:20:20,000 MICHAEL, I WANT YOU TO LISTEN TO ME VERY CAREFULLY. 1404 01:20:20,000 --> 01:20:22,000 OK? 1405 01:20:22,000 --> 01:20:27,000 NOW... 1406 01:20:29,000 --> 01:20:31,000 AHHH! AH! 1407 01:20:31,000 --> 01:20:33,000 AH! AHHHH! 1408 01:20:33,000 --> 01:20:36,000 AH! AH! AHHH! 1409 01:20:36,000 --> 01:20:38,000 AHHH! AHHH! AHHH! 1410 01:20:38,000 --> 01:20:40,000 AHHHHHHH! 1411 01:20:40,000 --> 01:20:43,000 AHHHHHHH! 1412 01:20:43,000 --> 01:20:45,000 AHHH! AHHH! 1413 01:20:45,000 --> 01:20:49,000 AHHH! AHHH! 1414 01:20:49,000 --> 01:20:52,000 AHHHHH! HAA! HAA! 1415 01:20:52,000 --> 01:20:53,000 SHUT UP. 1416 01:20:53,000 --> 01:20:55,000 SHUT UP! 1417 01:20:55,000 --> 01:20:56,000 AHHHHHHH! 1418 01:20:56,000 --> 01:20:59,000 AHHH! AHHH! AHHH! 1419 01:20:59,000 --> 01:21:01,000 AHHH! AHHH! 1420 01:21:01,000 --> 01:21:03,000 AHHHHH! 1421 01:21:03,000 --> 01:21:08,000 AHHHHHH! 1422 01:21:11,000 --> 01:21:12,000 [RING] 1423 01:21:12,000 --> 01:21:16,000 HIGH RIVER POLICE. 1424 01:21:16,000 --> 01:21:18,000 WHO WANTS HIM? 1425 01:21:18,000 --> 01:21:19,000 WHO? 1426 01:21:19,000 --> 01:21:22,000 I'LL SEE IF HE'S HERE. 1427 01:21:22,000 --> 01:21:24,000 UH, CHIEF! 1428 01:21:24,000 --> 01:21:25,000 YEAH? 1429 01:21:25,000 --> 01:21:26,000 PHONE. 1430 01:21:26,000 --> 01:21:28,000 IS IT MY WIFE? 1431 01:21:28,000 --> 01:21:30,000 NO, IT'S THE PREACHER. 1432 01:21:30,000 --> 01:21:35,000 OK. 1433 01:21:39,000 --> 01:21:42,000 NEVER MARRY A LITHUANIAN WOMAN. 1434 01:21:42,000 --> 01:21:44,000 CHIEF BUMBALEE HERE. 1435 01:21:44,000 --> 01:21:47,000 OH, HELLO, REVEREND. WHAT'S HAPPENING? 1436 01:21:47,000 --> 01:21:50,000 THE SOLDIER I CAME HERE WITH 1437 01:21:50,000 --> 01:21:53,000 IS NOT A SOLDIER AT ALL. 1438 01:21:53,000 --> 01:21:55,000 HE'S AN ESCAPED CONVICT. 1439 01:21:55,000 --> 01:21:58,000 GET THE MAYOR ON THE OTHER PHONE. 1440 01:21:58,000 --> 01:22:02,000 HE'S RIGHT IN THE NEXT ROOM. 1441 01:22:02,000 --> 01:22:06,000 JUST ACT NORMAL. DO WHAT YOU ALWAYS DO. 1442 01:22:06,000 --> 01:22:07,000 PRAY OR SOMETHING. 1443 01:22:07,000 --> 01:22:10,000 BLESS YOU, MY SON. 1444 01:22:10,000 --> 01:22:11,000 YEAH, YOU'RE WELCOME. 1445 01:22:11,000 --> 01:22:14,000 DO YOU HAVE THE MAYOR? 1446 01:22:14,000 --> 01:22:15,000 NO, IT'S BUSY. 1447 01:22:15,000 --> 01:22:17,000 GO TO HIS HOUSE. 1448 01:22:17,000 --> 01:22:20,000 BRING HIM TO THE GATEWAY HOTEL. 1449 01:22:20,000 --> 01:22:25,000 SHOULD I HANG UP THE PHONE? 1450 01:22:30,000 --> 01:22:33,000 YOU GOT THE RIGHT ADDRESS AND EVERYTHING? 1451 01:22:33,000 --> 01:22:36,000 [SPLASH] 1452 01:22:36,000 --> 01:22:41,000 JUST FINE. THIS IS FINE. 1453 01:22:44,000 --> 01:22:49,000 WAIT HERE. 1454 01:22:56,000 --> 01:23:00,000 HEY! 1455 01:23:00,000 --> 01:23:02,000 ALL RIGHT, TURN LEFT. 1456 01:23:02,000 --> 01:23:04,000 TURN LEFT HERE. 1457 01:23:04,000 --> 01:23:09,000 THAT'S ALL I NEED, A HIJACKER. 1458 01:23:17,000 --> 01:23:22,000 TAKE THIS BACK TO THE FARM. 1459 01:23:44,000 --> 01:23:47,000 GUESS WHO'S HERE EATING MY BREAKFAST 1460 01:23:47,000 --> 01:23:52,000 AND TELLING ME A CRAZY STORY ABOUT GRAVE ROBBERS? 1461 01:23:52,000 --> 01:23:55,000 YOUR IDIOT SON, LANE BIDDLECOFF, THAT'S WHO! 1462 01:23:55,000 --> 01:23:59,000 ANNA-MARIE? 1463 01:23:59,000 --> 01:24:01,000 I... 1464 01:24:01,000 --> 01:24:03,000 ANNA-MARIE! 1465 01:24:03,000 --> 01:24:07,000 I SAID KEEP HIM IN THE HOUSE! 1466 01:24:07,000 --> 01:24:09,000 YOU LET HIM OUT! 1467 01:24:09,000 --> 01:24:12,000 WHAT'S IT LIKE ON THE OTHER SIDE? 1468 01:24:12,000 --> 01:24:14,000 VIETNAM? 1469 01:24:14,000 --> 01:24:17,000 NO. AFTER DEATH. WHAT IS IT LIKE? 1470 01:24:17,000 --> 01:24:20,000 I'M NOT DEAD. 1471 01:24:20,000 --> 01:24:23,000 NOT NOW, BUT YOU WERE. 1472 01:24:23,000 --> 01:24:25,000 DID YOU MEET GOD? 1473 01:24:25,000 --> 01:24:29,000 HARRIET DOESN'T KNOW. SHE'S GOT A BIG MOUTH. 1474 01:24:29,000 --> 01:24:33,000 ALL IT TAKES IS ONE AMBITIOUS YOUNG COP 1475 01:24:33,000 --> 01:24:37,000 TO FIND OUT I'VE BEEN HARBORING A VIETNAM DESERTER, 1476 01:24:37,000 --> 01:24:40,000 AND THEY'LL COME HERE WITH HANDCUFFS! 1477 01:24:40,000 --> 01:24:42,000 PHONE DOWN, HANDS UP. 1478 01:24:42,000 --> 01:24:45,000 I'LL CALL YOU RIGHT BACK. 1479 01:24:45,000 --> 01:24:47,000 JEFF! LONG TIME, NO SEE. 1480 01:24:47,000 --> 01:24:50,000 HI, LANE. PUT YOUR HANDS UP. 1481 01:24:50,000 --> 01:24:52,000 PUT THAT THING AWAY. 1482 01:24:52,000 --> 01:24:55,000 YOU'RE MAKING A BIG MISTAKE. 1483 01:24:55,000 --> 01:24:57,000 I'M MAKING CAPTAIN. 1484 01:24:57,000 --> 01:25:01,000 THAT'S WHAT I'M MAKING. 1485 01:25:01,000 --> 01:25:03,000 IS THIS 65 1/2 LIGATION ROAD? 1486 01:25:03,000 --> 01:25:05,000 YES. 1487 01:25:05,000 --> 01:25:07,000 THIS IS 65 1/2 LIGATION ROAD? 1488 01:25:07,000 --> 01:25:08,000 YES. 1489 01:25:08,000 --> 01:25:10,000 WHERE'S THE HOUSE? 1490 01:25:10,000 --> 01:25:13,000 THEY MOVED IT DOWN THERE. 1491 01:25:13,000 --> 01:25:16,000 THEY TOOK THE HOUSE! IT'S GONE! 1492 01:25:16,000 --> 01:25:17,000 WHERE? 1493 01:25:17,000 --> 01:25:20,000 DOWN THE ROAD THAT WAY! 1494 01:25:20,000 --> 01:25:22,000 I DON'T BELIEVE IT! 1495 01:25:22,000 --> 01:25:24,000 YOU DON'T BELIEVE IT! 1496 01:25:24,000 --> 01:25:28,000 I FEEL LIKE DOROTHY IN THE WIZARD OF OZ. 1497 01:25:28,000 --> 01:25:33,000 LET'S GO DOWN THE ROAD. 1498 01:25:34,000 --> 01:25:37,000 THE PLACE HAS BEEN TURNED UPSIDE DOWN. 1499 01:25:37,000 --> 01:25:41,000 THE SARGE WAS LOOKING FOR THE WIDOW BIDDLECOFF. 1500 01:25:41,000 --> 01:25:43,000 I'LL CALL THE MAYOR. 1501 01:25:43,000 --> 01:25:48,000 HE SHOULD BE HERE BY NOW. 1502 01:25:51,000 --> 01:25:53,000 CAN YOU HELP ME? 1503 01:25:53,000 --> 01:25:55,000 IS SERGEANT RANGELOFF REGISTERED HERE? 1504 01:25:55,000 --> 01:25:58,000 YEAH, HE IS, BUT HE'S OUT. 1505 01:25:58,000 --> 01:26:01,000 I'M LOOKING FOR THE SERGEANT MYSELF. 1506 01:26:01,000 --> 01:26:03,000 HOLD IT RIGHT THERE. 1507 01:26:03,000 --> 01:26:05,000 WHO ARE YOU? 1508 01:26:05,000 --> 01:26:07,000 MRS. LANE BIDDLECOFF. 1509 01:26:07,000 --> 01:26:09,000 YOU'RE LATE FOR THE FUNERAL. 1510 01:26:09,000 --> 01:26:11,000 I MISSED MY CONNECTION. 1511 01:26:11,000 --> 01:26:14,000 TOO BAD YOU WASTED A TRIP. 1512 01:26:14,000 --> 01:26:16,000 WHAT I MEAN IS, 1513 01:26:16,000 --> 01:26:19,000 THE WIDOW BIDDLECOFF IS HERE ALREADY. 1514 01:26:19,000 --> 01:26:21,000 I'M HIS SECOND WIFE. 1515 01:26:21,000 --> 01:26:24,000 HOW DO YOU KNOW SERGEANT RANGELOFF? 1516 01:26:24,000 --> 01:26:27,000 HE'S GOT LANE'S PERSONAL EFFECTS. 1517 01:26:27,000 --> 01:26:30,000 THAT FIRST WIFE ISN'T GETTING EVERYTHING. 1518 01:26:30,000 --> 01:26:32,000 I'LL SEE YOU LATER. 1519 01:26:32,000 --> 01:26:34,000 NOT SO FAST, MISS LATIMER. 1520 01:26:34,000 --> 01:26:36,000 FBI, I'LL TAKE CHARGE. 1521 01:26:36,000 --> 01:26:38,000 OK, PUT THEM UP. 1522 01:26:38,000 --> 01:26:40,000 YOU, BACK! YEAH, YOU! 1523 01:26:40,000 --> 01:26:42,000 COME ON, YEAH. 1524 01:26:42,000 --> 01:26:43,000 YOU, COME ON! 1525 01:26:43,000 --> 01:26:46,000 AHHHH! 1526 01:26:46,000 --> 01:26:49,000 GET YOUR HANDS OFF, PIG! 1527 01:26:49,000 --> 01:26:51,000 ALL RIGHT! YOU'RE UNDER ARREST! 1528 01:26:51,000 --> 01:26:54,000 JUST WALK IN FRONT OF ME. 1529 01:26:54,000 --> 01:26:56,000 VERY SLOWLY. 1530 01:26:56,000 --> 01:26:57,000 THANKS A LOT. 1531 01:26:57,000 --> 01:26:59,000 I'LL READ YOUR RIGHTS. 1532 01:26:59,000 --> 01:27:03,000 YOU HAVE THE RIGHT TO REMAIN SILENT. 1533 01:27:03,000 --> 01:27:05,000 YOU HAVE THE RIGHT-- 1534 01:27:05,000 --> 01:27:06,000 SHUT UP! 1535 01:27:06,000 --> 01:27:10,000 WHERE THE HELL'S MY CAR? 1536 01:27:10,000 --> 01:27:12,000 OK, IT'S OVER THERE. 1537 01:27:12,000 --> 01:27:13,000 IT'S DOWN THERE! 1538 01:27:13,000 --> 01:27:15,000 MAKE THE TURN! 1539 01:27:15,000 --> 01:27:17,000 MAKE THE-- 1540 01:27:17,000 --> 01:27:22,000 WHOA! 1541 01:27:25,000 --> 01:27:29,000 FIND A PLACE AND TURN THIS THING AROUND. 1542 01:27:29,000 --> 01:27:34,000 ALL RIGHT! RELAX! 1543 01:27:36,000 --> 01:27:41,000 OH, CHRIST! 1544 01:27:49,000 --> 01:27:52,000 ♪ WELL, WHO DO YOU THINK YOU'RE FOOLIN'? ♪ 1545 01:27:52,000 --> 01:27:54,000 ♪ YOU SAY YOU'RE HAVIN' FUN... ♪ 1546 01:27:54,000 --> 01:27:57,000 YOU'RE NOT GIVING HIM THAT MONEY. 1547 01:27:57,000 --> 01:28:00,000 ♪ JUST LYIN' IN THE SUN ♪ 1548 01:28:00,000 --> 01:28:03,000 ♪ YOU TRIED TO BE A HERO ♪ 1549 01:28:03,000 --> 01:28:05,000 ♪ COMMIT THE PERFECT CRIME... ♪ 1550 01:28:05,000 --> 01:28:07,000 I'M GETTING OUT. 1551 01:28:07,000 --> 01:28:09,000 ♪ BUT THE DOLLAR GOT YOU DANCIN' ♪ 1552 01:28:09,000 --> 01:28:12,000 ♪ AND YOU'RE RUNNIN' OUT OF TIME ♪ 1553 01:28:12,000 --> 01:28:15,000 ♪ YOU'RE MESSIN' UP THE WATER... ♪ 1554 01:28:15,000 --> 01:28:17,000 STANDISH! 1555 01:28:17,000 --> 01:28:18,000 STANDISH! 1556 01:28:18,000 --> 01:28:20,000 STANDISH! STANDISH! 1557 01:28:20,000 --> 01:28:24,000 ♪ YOU'RE POISONIN' YOUR MIND... ♪ 1558 01:28:24,000 --> 01:28:26,000 STANDISH! 1559 01:28:26,000 --> 01:28:28,000 [MUFFLED VOICE] 1560 01:28:28,000 --> 01:28:29,000 STANDISH! 1561 01:28:29,000 --> 01:28:31,000 ♪ YOU WATCH THE TELEVISION... ♪ 1562 01:28:31,000 --> 01:28:32,000 STANDISH? 1563 01:28:32,000 --> 01:28:35,000 ♪ IT TELLS YOU THAT YOU SHOULD ♪ 1564 01:28:35,000 --> 01:28:37,000 ♪ HOW CAN YOU LIVE IN THIS WAY? ♪ 1565 01:28:37,000 --> 01:28:40,000 ♪ YOU MUST HAVE SOMETHING TO SAY... ♪ 1566 01:28:40,000 --> 01:28:44,000 THAT MAN STUCK THIS HAIR IN MY MOUTH 1567 01:28:44,000 --> 01:28:46,000 SO I WOULDN'T--AHHH! 1568 01:28:46,000 --> 01:28:50,000 ♪ CHILD OF VISION... ♪ 1569 01:28:50,000 --> 01:28:55,000 HOLD IT! 1570 01:28:56,000 --> 01:29:00,000 ♪ FIND YOURSELF ♪ 1571 01:29:00,000 --> 01:29:05,000 ♪ A NEW AMBITION ♪ 1572 01:29:06,000 --> 01:29:09,000 ♪ I'VE HEARD IT ALL BEFORE ♪ 1573 01:29:09,000 --> 01:29:11,000 ♪ YOU'RE SAYIN' NOTHIN' NEW ♪ 1574 01:29:11,000 --> 01:29:14,000 ♪ I THOUGHT I SAW A RAINBOW ♪ 1575 01:29:14,000 --> 01:29:18,000 ♪ BUT I GUESS IT WASN'T TRUE ♪ 1576 01:29:18,000 --> 01:29:20,000 ♪ YOU CANNOT MAKE ME LISTEN ♪ 1577 01:29:20,000 --> 01:29:22,000 ♪ I CANNOT MAKE YOU HEAR ♪ 1578 01:29:22,000 --> 01:29:25,000 ♪ S0 YOU FIND YOUR WAY TO HEAVEN ♪ 1579 01:29:25,000 --> 01:29:29,000 ♪ AND I'LL MEET YOU WHEN YOU'RE THERE ♪ 1580 01:29:29,000 --> 01:29:33,000 ♪ HOW CAN YOU LIVE IN THIS WAY? ♪ 1581 01:29:33,000 --> 01:29:35,000 ♪ YOU MUST HAVE SOMETHING TO SAY ♪ 1582 01:29:35,000 --> 01:29:37,000 ♪ WE HAVE NO REASON TO FIGHT ♪ 1583 01:29:37,000 --> 01:29:38,000 ♪ 'CAUSE WE BOTH KNOW THAT WE'RE RIGHT ♪ 1584 01:29:38,000 --> 01:29:43,000 ♪ CHILD OF VISION ♪ 1585 01:29:44,000 --> 01:29:49,000 ♪ WON'T YOU LISTEN? ♪ 1586 01:29:50,000 --> 01:29:54,000 ♪ FIND YOURSELF ♪ 1587 01:29:54,000 --> 01:29:59,000 ♪ A NEW AMBITION ♪♪ 1588 01:30:09,000 --> 01:30:14,000 STANDISH! 1589 01:30:24,000 --> 01:30:25,000 OH, NO! 1590 01:30:25,000 --> 01:30:30,000 AHHHH! 1591 01:30:32,000 --> 01:30:34,000 DID YOU SEE THAT? 1592 01:30:34,000 --> 01:30:35,000 THAT'S IT. 1593 01:30:35,000 --> 01:30:40,000 MICHAEL. 1594 01:30:43,000 --> 01:30:46,000 LOOK OUT! 1595 01:30:46,000 --> 01:30:48,000 THIS WON'T HURT A-- 1596 01:30:48,000 --> 01:30:50,000 AHHHHHHHH! 1597 01:30:50,000 --> 01:30:51,000 SORRY! 1598 01:30:51,000 --> 01:30:56,000 GIVE ME THE MONEY! 1599 01:31:04,000 --> 01:31:09,000 [WARNING BELLS CLANG] 1600 01:31:14,000 --> 01:31:16,000 GIVE ME THAT! 1601 01:31:16,000 --> 01:31:18,000 STANDISH! 1602 01:31:18,000 --> 01:31:23,000 [TRAIN WHISTLE] 1603 01:31:41,000 --> 01:31:42,000 I LOVE YOU. 1604 01:31:42,000 --> 01:31:44,000 I LOVE YOU. 1605 01:31:44,000 --> 01:31:45,000 [TRAIN WHISTLE] 1606 01:31:45,000 --> 01:31:50,000 OH, NO! 1607 01:32:14,000 --> 01:32:19,000 ORMOND, FBI. YOU'RE UNDER ARREST. 1608 01:32:19,000 --> 01:32:21,000 YOU BASTARD! 1609 01:32:21,000 --> 01:32:22,000 BYE! 1610 01:32:22,000 --> 01:32:24,000 I'LL GET YOU! 1611 01:32:24,000 --> 01:32:26,000 YOU BASTARD! 1612 01:32:26,000 --> 01:32:29,000 YOU WON'T GET AWAY WITH THIS! 1613 01:32:29,000 --> 01:32:34,000 LET'S WAVE THE MONEY AT HIM. 1614 01:32:34,000 --> 01:32:38,000 WHAT'S THIS? 1615 01:32:38,000 --> 01:32:40,000 THE YELLOW'S THE CLASSIFIED. 1616 01:32:40,000 --> 01:32:42,000 WHERE'S THE MONEY? 1617 01:32:42,000 --> 01:32:44,000 HE SWITCHED THE BAGS! 1618 01:32:44,000 --> 01:32:46,000 YOU SON OF A BITCH! 1619 01:32:46,000 --> 01:32:49,000 YOU'RE STARTING TO SOUND LIKE ME. 1620 01:32:49,000 --> 01:32:52,000 WHEN DID HE DO IT? 1621 01:32:52,000 --> 01:32:56,000 WHAT DOES IT MATTER? WE'VE GOT EACH OTHER. 1622 01:32:56,000 --> 01:32:59,000 COME ON, FORGET ABOUT THE MONEY. 1623 01:32:59,000 --> 01:33:02,000 I SUPPOSE YOU NEED A LITTLE. 1624 01:33:02,000 --> 01:33:04,000 YOU MADE THE SWITCH. 1625 01:33:04,000 --> 01:33:07,000 GOT TO HAVE A PLACE TO LIVE. 1626 01:33:07,000 --> 01:33:10,000 YOU HAD IT ALL THE TIME. 1627 01:33:10,000 --> 01:33:12,000 TWO CARS. 1628 01:33:12,000 --> 01:33:16,000 I WAS ALMOST KILLED FOR TWO PHONE BOOKS! 1629 01:33:16,000 --> 01:33:17,000 SHH! 1630 01:33:17,000 --> 01:33:19,000 MICHAEL, I'M COUNTING. 1631 01:33:19,000 --> 01:33:23,000 YOU KNOW SOMETHING? 1632 01:33:23,000 --> 01:33:25,000 SAVE SOME FOR YOURSELF. 1633 01:33:25,000 --> 01:33:27,000 NOT TO WORRY. 1634 01:33:27,000 --> 01:33:29,000 ♪ DID YOU WRITE THE BOOK OF LOVE?... ♪ 1635 01:33:29,000 --> 01:33:31,000 THIS SIDE IS MINE. 1636 01:33:31,000 --> 01:33:33,000 ♪ DO YOU HAVE FAITH IN GOD ABOVE? ♪ 1637 01:33:33,000 --> 01:33:37,000 ♪ IF THE BIBLE TELLS YOU SO ♪ 1638 01:33:37,000 --> 01:33:41,000 ♪ NOW, DO YOU BELIEVE IN ROCK 'N ROLL? ♪ 1639 01:33:41,000 --> 01:33:44,000 ♪ CAN MUSIC SAVE YOUR MORTAL SOUL? ♪♪ 1640 01:33:44,000 --> 01:33:48,000 ♪ AND CAN YOU TEACH ME HOW TO DANCE ♪ 1641 01:33:48,000 --> 01:33:51,000 ♪ REAL SLOW? ♪ 1642 01:33:51,000 --> 01:33:54,000 ♪ WELL, I KNOW THAT YOU'RE IN LOVE WITH HIM ♪ 1643 01:33:54,000 --> 01:33:58,000 ♪ 'CAUSE I SAW YOU DANCIN' IN THE GYM ♪ 1644 01:33:58,000 --> 01:34:01,000 ♪ YOU BOTH KICKED OFF YOUR SHOES ♪ 1645 01:34:01,000 --> 01:34:05,000 ♪ MAN, I DIG THOSE RHYTHM 'N BLUES ♪ 1646 01:34:05,000 --> 01:34:08,000 ♪ I WAS A LONELY TEENAGE BRONCIN' BUCK ♪ 1647 01:34:08,000 --> 01:34:12,000 ♪ WITH A PINK CARNATION AND A PICKUP TRUCK ♪ 1648 01:34:12,000 --> 01:34:15,000 ♪ BUT I KNEW I WAS OUT OF LUCK ♪ 1649 01:34:15,000 --> 01:34:17,000 ♪ THE DAY ♪ 1650 01:34:17,000 --> 01:34:21,000 ♪ THE MUSIC DIED ♪ 1651 01:34:21,000 --> 01:34:22,000 ♪ I STARTED SINGIN' ♪ 1652 01:34:22,000 --> 01:34:25,000 ♪ BYE-BYE, MISS AMERICAN PIE ♪ 1653 01:34:25,000 --> 01:34:27,000 ♪ DROVE MY CHEVY TO THE LEVEE ♪ 1654 01:34:27,000 --> 01:34:29,000 ♪ BUT THE LEVEE WAS DRY ♪ 1655 01:34:29,000 --> 01:34:31,000 ♪ THEM GOOD OL' BOYS ♪ 1656 01:34:31,000 --> 01:34:32,000 ♪ WERE DRINKIN' WHISKEY AND RYE ♪ 1657 01:34:32,000 --> 01:34:36,000 ♪ AND SINGIN' THIS'LL BE THE DAY THAT I DIE ♪ 1658 01:34:36,000 --> 01:34:39,000 ♪ DIE ♪ 1659 01:34:39,000 --> 01:34:43,000 ♪ NOW FOR 10 YEARS, WE'VE BEEN ON OUR OWN ♪ 1660 01:34:43,000 --> 01:34:47,000 ♪ AND MOSS GROWS FAT ON A ROLLIN' STONE ♪ 1661 01:34:47,000 --> 01:34:51,000 ♪ BUT THAT'S NOT HOW IT USED TO BE ♪ 1662 01:34:51,000 --> 01:34:55,000 ♪ WHEN THE JESTER SANG FOR THE KING AND QUEEN ♪ 1663 01:34:55,000 --> 01:34:59,000 ♪ IN A COAT HE BORROWED FROM JAMES DEAN ♪ 1664 01:34:59,000 --> 01:35:04,000 ♪ IN A VOICE THAT CAME FROM YOU AND ME ♪ 1665 01:35:05,000 --> 01:35:09,000 ♪ OH, AND WHILE THE KING WAS LOOKING DOWN ♪ 1666 01:35:09,000 --> 01:35:13,000 ♪ THE JESTER STOLE HIS THORNY CROWN ♪ 1667 01:35:13,000 --> 01:35:16,000 ♪ THE COURTROOM WAS ADJOURNED ♪ 1668 01:35:16,000 --> 01:35:19,000 ♪ NO VERDICT WAS RETURNED ♪ 1669 01:35:19,000 --> 01:35:23,000 ♪ AND WHILE LENNON READ A BOOK OF MARX ♪ 1670 01:35:23,000 --> 01:35:26,000 ♪ THE QUARTET PRACTICED IN THE PARK ♪♪ 1671 01:35:26,000 --> 01:35:28,000 CAPTIONING FUNDED BY CBS/FOX 1672 01:35:28,000 --> 01:35:30,000 CAPTIONING PERFORMED BY THE NATIONAL CAPTIONING INSTITUTE, INC. 1673 01:35:30,000 --> 01:35:32,000 CAPTIONS COPYRIGHT 1984 CBS INC. 1674 01:35:32,000 --> 01:35:35,000 PUBLIC PERFORMCE OF CAPTIONS PROHIBITED WITHOUT PERMISSION OF NATIONAL CAPTIONING INSTITUTE